Richard Bluck began working as a cameraman at the Avalon Television Centre in the 1970s. Alongside a host of other projects, he has brought his skills as director of photography to features Black Sheep, What We Do in the Shadows, Second-Hand Wedding and many short films.
Colin McKenzie joins Rudall Hayward and Ted Coubray as one of the earliest New Zealanders to make feature films on Kiwi soil. McKenzie was a technical innovator, responsible for a number of international filmmaking firsts. His unfinished epic Salome finally premiered in 1995, six decades after his death.
James Bartle left his native Australia to work in New Zealand in the 1970s. Bartle made a stylish big-screen debut in 1982 with gothic tale The Scarecrow. His work ranges from shooting psychological drama (Heart of the Stag) to splatter movies (Death Warmed Up). In 1987 Bartle won a NZ Film and TV award for his work on end-of-the-world saga The Quiet Earth. Since then he has worked largely on US tele-movies.
Cinematographer John Cavill was trained in the glory days of state television. After entering the industry at the age of 17, he went on to film everything from comedy to sports — then from the late 1990s, globally successful shows like Hercules, Xena and Spartacus. His CV reflects his experience in shooting action and visual effects. In 2018 Cavill won a Daytime Emmy for Chinese-American production Scars of Nanking.
Cinematographer Graeme Cowley created the moody imagery for classic movies Utu and Smash Palace. Elsewhere he played another vital role in the Kiwi film renaissance, by establishing camera equipment hire company Film Facilities, alongside the late Nigel Hutchinson. Cowley went on to produce black comedy Carry Me Back, and work on the restoration of Utu.
Known as "the guy who shoots the rugby", Rhys Duncan filmed 21 games from the 2011 World Cup alone. After getting the film bug early, he passed it to his son Cameron Duncan. In the 90s Rhys began specialising with the floating Steadicam camera, both for sports and movies (Whale Rider). His credits as camera operator include work on River Queen and King Kong. He was also cinematographer on 2009's I'm Not Harry Jenson.