Kate Elliott began her life on screen after attending an audition at school. Since winning that role - as a bulimic, sexually abused, self-mutilating teenager in House of Sticks - Elliott has starred in many of New Zealand’s major television productions including Street Legal, The Insiders Guide to Love, The Cult, Shortland Street, and played Katherine Mansfield in tele-feature Bliss. Her film credits include Toy Love, The Locals, and Fracture.
Director David Blyth has created some of New Zealand’s most graphic and challenging movies dealing with horror, sexuality, and the sub-conscious mind. His career began as an assistant director on the film Solo, but it was his first feature Angel Mine which showed his interests in pushing the boundaries of filmmaking. In his time, Blyth has made a number of documentary features, directed episodes of Close to Home and created New Zealand's first horror film Death Warmed Up.
Producer Bridget Ikin has long been a champion for women in the screen industry. Working on both sides of the Tasman, she has collaborated with many influential creatives including Jane Campion, Alison Maclean, Stewart Main, Australian director Sarah Watt, and writers Eleanor Catton and Emily Perkins.
Rachel House is an accomplished theatre actor and director, but she has also established a strong screen career, beginning with gritty roles in Tiger Country and Queenie and Pete. Since then she has played both comedic and dramatic parts in a string of high profile movies, including Whale Rider, Hunt for the Wilderpeople and Boy.
Temuera Morrison cemented his place in Kiwi screen history by playing the abusive Jake Heke in Once Were Warriors.
Brendhan Lovegrove's comedy has been described as "verging on the psychotic side". He appeared on TV's A Night at the Classic and all eight series of Pulp Comedy. Lovegrove discusses his career in this Funny As interview, including: How he and friend Jason Hoyte (later half of comedy act Sugar and Spice) used to sit on a bench at school when they were eight years old, and make other students laugh Deciding that he wanted to do stand-up after watching an "electric" performance by Alan Brough Feeling blessed that one of his early stand-up gigs "bombed", as it made him work harder Moving to the United Kingdom, and performing at comedy clubs like Jongleurs and The Glee Club Taking a "long time" to feel confident on camera— his first TV appearance (on A Bit After Ten) was "terrible"