Chris Knox's music career began with legendary punk band The Enemy, followed by Toy Love, then the Tall Dwarfs and his own solo work. He has appeared as a film reviewer on arts shows The Edge and Backch@t, and hosted series The New Artland. As a musician and music video director, Knox is known as a pioneer of lo-tech, DIY classics. For this special two part ScreenTalk interview, Flying Nun founder Roger Shepherd chatted with Knox about his life and career. In part one, Knox talked about his love of filmmaking, and early Enemy and Toy Love music videos. In the second part of the ScreenTalk interview, Knox talks about: Knox moving from appearing in music videos to directing his own with the Tall Dwarfs' Nothing's Gonna Happen Making the video for the Tall Dwarfs' Turning Brown and Torn in Two Making the video for his solo classic Not Given Lightly Becoming a film reviewer on TV arts shows The Edge and Backch@t Moving into television presenting, with an episode of Intrepid Journeys, and the series The New Artland Knox's long-running cartoon strip Max Media
Chris Knox's music career began with legendary Dunedin punk band The Enemy, followed by post-punk heroes Toy Love, then the Tall Dwarfs and his own solo work. Knox has been a film reviewer on arts shows The Edge and Backch@t, and hosted the series The New Artland. As a singer-songwriter and music video director, he is known as a pioneer of lo-tech, DIY classics. For this special two-part ScreenTalk interview, Flying Nun founder Roger Shepherd chatted with Knox about his life and career. In part one, Knox talks about: His early love of film and how he first got into filmmaking The first footage of The Enemy, shot by cameraman Peter Janes Making the Toy Love video Squeeze Making the later Toy Love videos Rebel and Don't Ask Me Part two of this interview can be found here, where Knox talks about moving into making his own videos, being a film reviewer and TV presenter, and his comic strip Max Media.
Emmy award-winning producer/director Denis Harvey cut his teeth on TVNZ information shows Dig This, Kaleidoscope, and Science Express. Later he moved into sports. Harvey has gone on to make a significant contribution to television sports coverage both nationally and internationally, particularly in America’s Cup coverage and Olympic yachting. In recent times, he has also produced Asian and Israeli versions of The Amazing Race.
Being Chinese: A New Zealander’s Story author Helene Wong grew up in 1950s Aotearoa, and has worked in the arts as a performer, writer, and film critic. She discusses her varied career in this Funny As interview, including: Growing up with radio comedy, being the class clown at school, and realising that you could make people laugh with voices and accents The university capping review being a revelation and a liberation — how it presented an opportunity to deal with issues and was more than just "prancing about on the stage" How the introduction of television meant being able to see politicians — "their physicality, their flaws and their body language" — which provided wonderful source material for satirists Working with Roger Hall, John Clarke, Dave Smith and Catherine Downes on university revue One in Five, and mimicking three-screen promotional film This is New Zealand to open the show Working for Prime Minister Robert Muldoon in the 70s as a social policy advisor — despite spending “the previous few years having a lot of fun satirising him” — and feeling that he had a "kind of dark force field around him" Reaching a turning point in comedy about Asians in New Zealand; Asians have started to "take back the power" and "as opposed to encouraging audiences to laugh at us, we’re now getting them to laugh with us"
Sam Pillsbury is a self-described American-Kiwi who has made films in both New Zealand and the US. He began his prolific career at the National Film Unit directing the notable documentaries Ralph Hotere and Men and Supermen. Pillsbury’s first feature film was The Scarecrow, starring John Carradine, which was the first New Zealand film to be invited to the Cannes Film Festival. Pillsbury co-wrote the script for The Quiet Earth, but 'fired himself' from the director role on the movie. His next major film was Starlight Hotel.
Roger Hall began his take over of the Kiwi stage in 1977 with Glide Time. Later the play inspired Gliding On, the first local sitcom to become a major hit.