Interview

Peter Burger: On calling the shots...

Interview, Camera and Editing – James Coleman

Peter Meteherangi Tikao Burger (Ngāi Tahu, Rangitane) can thank a childhood lisp for his busy career as a screen director today. Having been sent to speech lessons, he found himself in the wrong class, and discovered the joys of performance in a drama class at a young and impressionable age. Since then, Burger has directed numerous film and television productions, including Until Proven Innocent, which won five Qantas awards in 2009, The Tattooist, Fish Skin Suit, short film Turangawaewae, staring the late Wi Kuki Kaa, as well as the TV series Outrageous Fortune, Go Girls and The Cult.

Interview

Mike King - Funny As Interview

At one point Mike King was so famous, he appeared on three TV channels on the same night.

Interview

Max Cryer - Funny As Interview

Purveyor of good grammar and master of words, Max Cryer has had an extensive career in the New Zealand entertainment industry.

Interview

Don Reynolds: Pioneering soundman turned movie producer...

Credits: Interview, Camera and Editing – Andrew Whiteside

Don Reynolds is a sound operator turned film producer who has had a big impact on the New Zealand film industry. He was a sound recorder/mixer on many of our classic films of the 1980s and went on to produce movies such as The Quiet Earth, Sylvia, Mr Wrong, and River Queen. Reynolds was also one of the main forces behind the setting up of long-running TV soap Shortland Street.

Interview

Andrew Clay - Funny As Interview

Andrew Clay forged his stand-up comedy career in Australia, before returning battle-hardened to New Zealand. The brutality of that environment is among the things he discusses in this Funny As interview. Clay also talks about: Being the dude at the back of the class, trying to make people laugh The lightbulb moment when Australian comedian George Smilovici told him he should be a stand-up comedian Feeling pride when his conservative dad said “you’d be good at that” The “walking off to the sound of your own footsteps” moments of stand-up comedy, and the immediacy of knowing "straight away whether you're doing well” Writing two stage plays, “to try to be funny in a different way”