Michael Heath's imagination has spawned movies bursting with murder and mayhem, as well as lyrical tales of childhood and unheralded artists. Heath's work ranges widely – some of his films are lyrical, comical and murderous all at the same time. His scripts include two contenders for New Zealand's first horror film (Death Warmed Up and Next of Kin), plus an affectionate adaptation of Ronald Hugh Morrieson classic The Scarecrow, which was the first Kiwi movie invited to the Cannes Film Festival. In recent years Heath has blossomed from writer into director.
Director David Blyth has created some of New Zealand’s most graphic and challenging movies dealing with horror, sexuality, and the sub-conscious mind. His career began as an assistant director on the film Solo, but it was his first feature Angel Mine which showed his interests in pushing the boundaries of filmmaking. In his time, Blyth has made a number of documentary features, directed episodes of Close to Home and created New Zealand's first horror film Death Warmed Up.
Peter Wells was an accomplished writer/director who explored gay and historical themes in his work. Among his screen credits are groundbreaking TV dramas Jewel’s Darl and A Death in the Family. Wells also created stylish feature film Desperate Remedies with co-director Stewart Main. In later years he collaborated with filmmaker Annie Goldson for documentary Georgie Girl.
John Clarke was one of New Zealand’s best-loved comic performers. His 1970s farming character Fred Dagg became an icon of Kiwi comedy. Clarke worked as a comedian, actor, writer and director. His satirical television series The Games was an Australian Film Institute award-winner. Although based in Australia since 1977, he lent his unmistakeable comic voice to Kiwi TV comedies bro’Town and Radiradirah. In a departure from our usual ScreenTalk format, this extended audio interview was produced and recorded by Andrew Johnstone and Richard Swainson with the assistance of Hamilton Community Radio and The Film School.
Simon Prast made his television debut in cop drama Mortimer’s Patch. Best known for playing spoilt rich kid Alistair Redfern in Gloss, Prast’s biggest film role was playing a gay man in 1998 movie When Love Comes. He also has a strong background in theatre, and for 11 years ran the Auckland Theatre Company.
Anthony McCarten is an award-winning playwright, screenwriter and novelist, who has directed two of his own movie scripts. His screenplay credits include Bohemian Rhapsody, Winston Churchill film Darkest Hour, and Stephen Hawking biopic The Theory of Everything, which won him a BAFTA award in 2015 for Best Adapted Screenplay. McCarten was interviewed for NZ On Screen when he was in Auckland in 2015, for Script to Screen's Big Screen Symposium.
David Harry Baldock’s long TV career includes submarines, sea rescues, ailing prime ministers and psychics. The onetime editor began making his mark as a director and producer on current affairs and a run of documentaries. In 1988 he left state television to launch production company Ninox, whose prolific output would grow to include Sensing Murder, Mitre 10 Dream Home, award-winner Pacific Rescue and ambitious documentary series Our People Our Century.
BAFTA-winner Anthony McCarten has written scripts about Winston Churchill, scientist Stephen Hawking and the band Queen.
Director Tony Hiles began making commercials and documentaries in the mid 1960s; from helming staples like Country Calendar, to independent docos and art films. In 1996 he won an NZ Film Best Director award for his debut feature film Jack Brown Genius.
Nathaniel Lees is an NZ-born Samoan actor who has acted on both stage and screen. Lees began his screen career with small roles in Death Warmed Up and Other Halves, before joining Billy T James on his sketch comedy shows. Lees went on to appear in a number of TV dramas including Shark in the Park , City Life, Gloss, Shortland Street and Street Legal. His many film roles include Sione’s Wedding, The Lord of the Rings, Rapa Nui and The Matrix trilogy.