Gaylene Preston has called Robin Laing 'an oasis of reason and practicality' in the chaos that is filmmaking. Laing began making feature films at a time when women producers were rare in New Zealand. Since then she has produced an eclectic mix of features, short films and arts documentaries, and often lent a hand to emerging filmmakers.
Jude Dobson became famous in New Zealand as co-host of nightly game show Sale of the Century. She went on to present a range of lifestyle series on TVNZ including Open Home, Alive and Kicking, and NZ Living. In 1997 she began hosting five nights a week magazine show 5:30 with Jude. Since then she has set up her own production company and produces media content about parenting.
Annie Goldson talks about the origins of award-winning documentary Sheilas: 28 Years On, which she co-directed with Dawn Hutchesson. Goldson talks about her commitment to feminism — a word her students often find problematic — and how Sheilas reintroduced audiences to five of the "interesting and powerful women" from gutsy 1977 series Women.
Actor turned writer/director Fiona Samuel broke from convention by putting women in the spotlight with her TV series The Marching Girls.
Steve La Hood began directing on soap opera Close to Home, and went on to direct tele-play Swimming Lessons, Bruno Lawrence documentary Numero Bruno and episodes of Shark in the Park and Shortland Street. He also produced ground-breaking series The Marching Girls. These days he creates multimedia attractions around the globe with company Story Inc, alongside James McLean.
Debbie Dorday is best known for her cabaret shows, where she performed as both a dancer and a comedian.
All female stand-up show A Girl's Gotta Eat took Auckland by storm in 1990. The show gave women a chance to laugh at themselves in a supportive environment. Actors Vicki Walker (Away Laughing, Braindead), Fiona Edgar (Brokenwood Mysteries, Vermillion) and Brenda Kendall (Double Booking) share their memories in this Funny As interview, including: Queues around the block for the monthly show — "everyone felt safe laughing their heads off. There was no boorish heckling, none of that stuff" How the involvement of The Topp Twins helped draw crowds to the venue, Ponsonby pub The Gluepot How one male performer per show was allowed — including Kevin Smith Brenda Kendall recalls how she started in stand-up at Sweetwaters music festival How Fanny Business, another female-only group, followed after A Girl's Gotta Eat
Annie Whittle had already made her mark as a singer, before she played all the female roles on the first season of comedy hit A Week of It.