Geoff Murphy was the teacher and trumpet player who got New Zealand yelling in the movie aisles. After boning up on filmmaking while touring on the Blerta bus, Murphy turned out a triple punch of local classics: 1981 blockbuster Goodbye Pork Pie, historical epic Utu and last man on earth tale The Quiet Earth. The director worked with everyone from Wild Man Bruno Lawrence to Mickey Rourke; from varsity safecrackers to hobbits, with time for nail-biting hijinks in Wellington railyards and atop the LA Metro train.
Josh Thomson has flexed his comic muscles on 7 Days, The Project, and in award-winning films about upstart badminton players. Plus he directs and edits too!
Film producer Don “Scrubbs” Blakeney came from a background in finance. Returning from working overseas in the 1970s, he met pioneering filmmakers Grahame McLean and John Barnett. Blakeney had become disillusioned with the corporate world, and ended up drifting into the film industry as unit caterer on Sleeping Dogs. In 1979, his background in both finance and film made Blakeney the ideal first Executive Director of the newly-established New Zealand Film Commission. He later produced Geoff Murphy’s classic Māori western Utu. Veteran producer and industry colleague John Barnett is Blakeney's guest interviewer.
Mike Horton is an award-winning editor who has worked on some of New Zealand’s most beloved films. His CV includes classics Goodbye Pork Pie, Smash Palace, Utu and Once Were Warriors. Horton was nominated for an Oscar for editing Peter Jackson’s The Two Towers, and his one regret is not editing the final film of The Lord of the Rings trilogy.
Fane Flaws has popped up in all kinds of places: on the Blerta bus, holding a paintbrush, and behind a guitar and video camera.
Ian Mune is a multi-talented and award-winning veteran of the New Zealand film and TV industry. He has been involved in a huge range of projects as an actor (Pukemanu, Moynihan, Erebus: The Aftermath, Fallout); writer (Sleeping Dogs, Gloss, Goodbye Pork Pie) and director (The End of the Golden Weather, Came a Hot Friday, What Becomes of the Broken Hearted). Three of the five films Mune has directed have won awards for New Zealand film of the year.
John Clarke was one of New Zealand’s best-loved comic performers. His 1970s farming character Fred Dagg became an icon of Kiwi comedy. Clarke worked as a comedian, actor, writer and director. His satirical television series The Games was an Australian Film Institute award-winner. Although based in Australia since 1977, he lent his unmistakeable comic voice to Kiwi TV comedies bro’Town and Radiradirah. In a departure from our usual ScreenTalk format, this extended audio interview was produced and recorded by Andrew Johnstone and Richard Swainson with the assistance of Hamilton Community Radio and The Film School.
Don Reynolds is a sound operator turned film producer who has had a big impact on the New Zealand film industry. He was a sound recorder/mixer on many of our classic films of the 1980s and went on to produce movies such as The Quiet Earth, Sylvia, Mr Wrong, and River Queen. Reynolds was also one of the main forces behind the setting up of long-running TV soap Shortland Street.
Being Chinese: A New Zealander’s Story author Helene Wong grew up in 1950s Aotearoa, and has worked in the arts as a performer, writer, and film critic. She discusses her varied career in this Funny As interview, including: Growing up with radio comedy, being the class clown at school, and realising that you could make people laugh with voices and accents The university capping review being a revelation and a liberation — presenting an opportunity to deal with issues and being more than just "prancing about on the stage" How the introduction of television meant being able to see politicians — "their physicality, their flaws and their body language" – providing wonderful source material for satirists Working with Roger Hall, John Clarke, Dave Smith and Catherine Downes on university revue One in Five, and mimicking three-screen promotional film This is New Zealand to open the show Working for Prime Minister Robert Muldoon in the 70s as a social policy advisor – despite spending “the previous few years having a lot of fun satirising him”– and feeling that he had a "kind of dark force field around him" Reaching a turning point in comedy about Asians in New Zealand; Asians have started to "take back the power" and "as opposed to encouraging audiences to laugh at us, we’re now getting them to laugh with us"
From reporting to scriptwriting and acting, Keith Aberdein has been a part of some of New Zealand’s biggest television and film moments. His screen career began as a journalist on Town and Around and Compass. Aberdein has scripted major TV shows such as Pukemanu, Section 7, Moynihan, Close to Home, and the colonial epic The Governor.