Kelly Johnson is best remembered for his lead role in the iconic Kiwi film Goodbye Pork Pie. He followed that success with roles in the films Carry Me Back, Bad Blood, Battletruck and Utu. In more recent times, Johnson has worked as a lawyer, but he still does occasional guest acting roles, including in Shortland Street and Maddigan’s Quest.
Marshall Napier has forged a successful acting career playing strong supporting roles in a swathe of Kiwi and Aussie TV dramas and films. His numerous credits include The Governor, Goodbye Pork Pie, Came a Hot Friday, Blue Heelers, Babe, McLeod’s Daughters and Water Rats. He also has a strong pedigree in theatre, and took his own play Freak Winds to New York in 2006.
Mike Horton is an award-winning editor who has worked on some of New Zealand’s most beloved films. His CV includes classics Goodbye Pork Pie, Smash Palace, Utu and Once Were Warriors. Horton was nominated for an Oscar for editing Peter Jackson’s The Two Towers, and his one regret is not editing the final film of The Lord of the Rings trilogy.
Despite starring in Kiwi classic Goodbye Pork Pie, playing 'a good true blue basic Kiwi joker' in Home by Christmas, and scoring for the All Blacks, Tony Barry marks a rare Australian entry in our ScreenTalks. The veteran actor cemented his relationship with the Kiwi screen as early as 1971, when he appeared in landmark TV series Pukemanu. Barry went on to tour New Zealand (and his homeland) in Bruno Lawrence’s genre-bending musical group Blerta, then drove a yellow mini to Invercargill in the iconic Goodbye Pork Pie.
Geoff Murphy was the teacher and trumpet player who got New Zealand yelling in the movie aisles. After boning up on filmmaking while touring on the Blerta bus, Murphy turned out a triple punch of local classics: 1981 blockbuster Goodbye Pork Pie, historical epic Utu and last man on earth tale The Quiet Earth. The director worked with everyone from Wild Man Bruno Lawrence to Mickey Rourke; from varsity safecrackers to hobbits, with time for nail-biting hijinks in Wellington railyards and atop the LA Metro train.
Graeme Cowley is a cinematographer with an impressive line-up of features to his credit including Smash Palace, Utu, and Carry Me Back (which he also produced). Cowley also set up pioneering equipment hire company Film Facilities with Nigel Hutchinson, to bolster the range of camera equipment available to independent filmmakers. He was a prime mover behind the restoration of Utu, Utu Redux.
Ian Mune is a multi-talented and award-winning veteran of the New Zealand film and TV industry. He has been involved in a huge range of projects as an actor (Pukemanu, Moynihan, Erebus: The Aftermath, Fallout); writer (Sleeping Dogs, Gloss, Goodbye Pork Pie) and director (The End of the Golden Weather, Came a Hot Friday, What Becomes of the Broken Hearted). Three of the five films Mune has directed have won awards for New Zealand film of the year.
Lindsay Shelton's career testifies to his love of communicating, and his love of film. After working in newspapers he began a decade programming the Wellington Film Festival, while working in television news. In 1979 he joined the New Zealand Film Commission: over the next 22 years he was an enthusiastic promoter and salesman for New Zealand film around the globe.
Don Reynolds is a sound operator turned film producer who has had a big impact on the New Zealand film industry. He was a sound recorder/mixer on many of our classic films of the 1980s and went on to produce movies such as The Quiet Earth, Sylvia, Mr Wrong, and River Queen. Reynolds was also one of the main forces behind the setting up of long-running TV soap Shortland Street.
Cinematographer Stuart Dryburgh is the eye behind some of the most iconic images in New Zealand film. His first job in the industry was as a 'general assistant' on Middle Age Spread. From there he worked as a gaffer on films including Smash Palace, Goodbye Pork Pie and Came A Hot Friday, before becoming a fully-fledged cinematographer, learning much of what he knows from his mentor Alun Bollinger, who operated the camera for him on The Piano. Since shooting The Piano, Dryburgh has been working overseas, returning to film In My Father’s Den in 2004.