Interview

Alister Barry: Making political films from Mururoa 1973 to Hot Air...

Interview, Camera and Editing – Andrew Whiteside

Alister Barry is the filmmaker behind a series of provocative and politically charged documentaries, most of them self-funded. His first documentary Mururoa 1973 tackled nuclear testing, and saw him on a boat headed into the middle of a bomb test zone. Over the next four decades Barry has continued to make significant political documentaries including Someone Else’s Country, The Hollow MenWildcat and Hot Air. 

Interview

Philly de Lacey: On the challenges of making crime shows...

Interview, Camera and Editing – Andrew Whiteside

Philly de Lacey is the Managing Director of production company Screentime NZ. Screentime has produced a number of crime documentaries and dramas, and De Lacey has been involved with many of them as Executive Producer. Her credits include documentary series Police Ten 7, Water Patrol and Marae DIY; and the dramas Bloodlines, Siege, Safe House and Underbelly: Land of the Long Green Cloud.

Interview

Pietra Brettkelly: Making thoughtful international documentaries...

Interview, Camera and Editing – Andrew Whiteside

Pietra Brettkelly is an award-winning New Zealand filmmaker who travels the world to make her documentaries. The Art Star and the Sudanese Twins, her Sundance-selected film about international adoption, won best director and documentary at the 2009 Qantas Film and TV Awards. Māori Boy Genius was invited to the Berlin, Sydney and NZ Film Festivals.

Interview

Mark McNeill: On making documentaries, and more...

Interview, Camera and Editing – Andrew Whiteside

Mark McNeill runs production company Razor Films, and has worked often with popular TV psychologist Nigel Latta. McNeill has a background as a freelance documentary maker, with credits including Back from the Dead – The Saga of the Rose Noelle, My Father’s War in Italy, and series Epitaph. He also worked on early reality show Kiwi Flatmates.com. McNeill and Latta's collaborations include the Politically Incorrect series of shows and The Hard Stuff with Nigel Latta.

Interview

Brian Walden: Making TV drama work behind the scenes...

Interview, Camera and Editing – Andrew Whiteside

Production manager Brian Walden proved a near unstoppable force during the mid 70s dawn of Kiwi TV drama. Known as 'the Sarge' to those who worked with him, Walden was on location to bring in a slew of classic dramas, on time and budget: among them were Hunter’s GoldThe Mackenzie AffairGather Your DreamsMortimer's Patch and legal classic Hanlon. In the mid 80s he left TVNZ to go freelance, and helped produce everything from vampire movie Moonrise to TV's The New Adventures of Black Beauty

Interview

Kerry Warkia: Making an impact in online series...

Interview, Camera and Editing – Andrew Whiteside

Kerry Warkia started her career as an actress, but is increasingly making a name for herself as a successful producer in the web world. She is the producer of Auckland Daze, Flat3, and Nia’s Extra Ordinary Life. Warkia and her husband Kiel McNaughton run production company Brown Sugar Apple Grunt, and are two of the key creative forces behind hit Māori Television show Find Me a Māori Bride.

Interview

Greg Page: Making music videos, claymation and more...

Interview, Camera and Editing – James Coleman

Musician, artist, writer and director Greg Page began his film career in Hamilton in the early 90s, making music videos for local bands. Since then the international award-winning filmmaker has written and directed several short films, including claymations Decaff and The New Zealand Centenary of Cinema, as well as Sarah's Washing, and his feature film The Locals. Page’s boundless energy has also given rise to some of NZ’s most memorable music videos for top recording artists like Scribe, The D4 and Elemeno P.

Interview

Stuart Page: On making music videos...

Interview - James Coleman. Camera and Editing - Leo Guerchmann

Director, photographer and Axemen drummer Stuart Page is a prolific filmmaker, who has made over 40 music videos. Page has directed clips for Superette, The Clean, and The Skeptics’ infamous AFFCO. In 2009 he won Best Feature Documentary and Best Emerging filmmaker at the DocNZ International Film Festival for his film Shustak, a portrait of American photographer Laurence Shustak. Page also compiled alternative music compilation Noisyland.

Interview

Sima Urale: Making moving stories of Pacific people...

Interview - Clare O'Leary. Camera and Editing - Leo Guerchmann

Samoan-born, New Zealand-raised director Sima Urale is our first prominent Samoan female director. Urale has brought touching stories of Pacific people to the screen, often from an NZ outsider’s point of view. Urale credits her film success to determination and dealing with social issues close to her heart.

Interview

Gaylene Preston: On making NZ films...

Interview – Ian Pryor. Camera and Editing – Alex Backhouse

Director Gaylene Preston has been stretching New Zealand film in new directions since her early short films and her first feature, the genre and gender-bending Mr Wrong (1985). Long devoted to “communicating local stories to local audiences”, Preston features in Deborah Shepard’s book Her Life’s Work: Conversations with Five New Zealand Women.