Veteran producer, director, writer and presenter Bryan Bruce has made programmes on everything from Kiwi humour to mass murderers. Bruce specialises in campaigning documentaries with a social justice angle, as well as crime shows.
Grip Annie Frear trained in television production at the ABC in Australia, and then returned to New Zealand and forged a distinguished film career working on such titles as E Tipu E Rea, Desperate Remedies, The Piano, Hinekaro Goes on a Picnic and Blows up Another Obelisk, and Peach. Frear was the Grip Co-ordinator for the massive production undertaking that was The Lord of the Rings trilogy.
Jessica Hansell (aka Coco Solid) is a creative chameleon — she's an artist, musician, writer, director and actor. The creator of animated series Aroha Bridge talks about a variety of topics in this Funny As interview, including: Realising the power of comedy to tell important stories — and be a "political weapon" How writing and acting in Māori news satire Brown Eye in 2015 "made people realise I wasn't messing around" How her Aroha Bridge characters are a "Frankenstein of Māori and multicultural archetypes I see every day" The "massive effect" Billy T James had on her, and how his Captain Cook sketches "taught you about the truths of colonisation" Rating the acting of childhood friend Madeleine Sami as the "standard that I hold other performers to"
Kura Forrester's comedy star is on the rise after winning the 2019 Billy T James Award.
The Manawatu has provided fertile ground for New Zealand comedic talent, including producing six-person comedy group Facial DBX.
Editor Annie Collins has worked with some of New Zealand's most provocative directors, including Barry Barclay (The Neglected Miracle), and Merata Mita (Patu!) over a 30 year editing career. Collins has also edited key feature films including Scarfies, Out of the Blue, and Shopping, and was part of the editing team on Peter Jackson’s The Lord of the Rings.
Cinematographer Stuart Dryburgh is the eye behind some of the most iconic images in New Zealand film. His first job in the industry was as a 'general assistant' on Middle Age Spread. From there he worked as a gaffer on films including Smash Palace, Goodbye Pork Pie and Came A Hot Friday, before becoming a fully-fledged cinematographer, learning much of what he knows from his mentor Alun Bollinger, who operated the camera for him on The Piano. Since shooting The Piano, Dryburgh has been working overseas, returning to film In My Father’s Den in 2004.