Ian Magan helped found pirate station Radio Hauraki, then promoted live concerts and tours.
Lindsay Shelton's career testifies to his love of communicating, and his love of film. After working in newspapers he began a decade programming the Wellington Film Festival, while working in television news. In 1979 he joined the New Zealand Film Commission: over the next 22 years he was an enthusiastic promoter and salesman for New Zealand film around the globe.
Scott Blanks helped launch New Zealand's stand-up comedy scene in the 1980s. The owner and co-founder of Auckland's iconic comedy club The Classic muses about building the live comedy scene and other subjects, including: Getting his start in showbusiness when he was 19, acting in an amateur production of West Side Story Helping form comedy group Funny Business, and being a jack of all trades on their early gigs: "provide a stage, get the lights and sound sorted, and the marketing and the promo..." Starting a rookie comedy night at Auckland pub Kitty O'Brien's, where several comedians (e.g Brendhan Lovegrove, Sugar and Spice) first got their break The excitement of finding and setting up New Zealand's first dedicated live comedy club, The Classic, in 1997 How television stand-up show Pulp Comedy boosted The Classic's audience How his accounting degree helped save The Classic when it ran into money troubles
The path of comedy folk duo Flight of the Conchords is dotted with failure, dismal corporate gigs, globetrotting fans and Grammy Awards. This extended Funny As interview sees Jemaine Clement and Bret McKenzie savouring their memories of the early days, and all the TV shows that got rejected along the way. Among the topics mentioned are: Wearing naked suits on the streets of Melbourne while promoting an early show The perpetual challenge of singing and playing guitar at the same time The Wellington stylings of their comedy — and how creative collaborator Taika Waititi throws a mean pizza McKenzie's opinion that Pulp Comedy "wasn't very flattering or helpful" to the comedians who featured on it How they probably wouldn't have lasted if that infamous, rejected show for TVNZ had ever come to pass How the Conchords got their name
Amanda Kennedy and Livi Reihana are The Fan Brigade, a musical comedy duo formed over a mutual appreciation of each other’s Twitter accounts.
Brendan Smyth was charged with getting more New Zealand music on the airwaves for more than two decades. As long-time NZ Music Manager at NZ On Air, he led a team that funds and promotes Kiwi music and music videos.
Don McGlashan is one of New Zealand's foremost singer/songwriters. He was a member of Blam Blam Blam and The Mutton Birds before going solo. While he was in acclaimed musical theatre act The Front Lawn, McGlashan moved into the film world. His screen compositions include No 2, Matariki and Katherine Mansfield TV movie Bliss.
Programmer John McCready has had a significant impact on the television industry in New Zealand. After extended time in music and radio he joined TVNZ in 1989 as Manager of Presentation and Promotion, just as TV3 came on air. The following year McCready became TVNZ's Director of Programming, and revamped both TV1 and TV2 over a four year period. He headed overseas for a while, before returning to New Zealand as Director of Programming and Marketing for Sky TV. Before retiring in 2007, McCready successfully launched The Living Channel and Food TV on Sky.
Producer Elizabeth Mitchell set up Firehorse Films to produce the popular TV3 animated comedy series bro'Town. Mitchell was a print journalist turned television promotions director, and her only experience in animation prior to bro'Town was a TV ad on the white spotted tussock moth.
Producer Larry Parr has had a hand in producing a number of classic New Zealand films, including Sleeping Dogs, Came a Hot Friday and Smash Palace. He has also made forays into directing with Fracture and A Soldier's Tale. After three years as Head of Programming at Māori Television, Parr became Television Manager at Te Māngai Pāho, which funds Māori radio and TV programmes.