A big budget New Zealand-French-Australian co-production, kidult series Deepwater Haven screened on TV2. It followed the fortunes of Waitemata Harbour tugboat skipper Jack Wilson (Vince Martin of Beaurepairies advertising fame) and his two kids, Georgie (Jay Saussey) and Peter (Peter Malloch). This opening episode sees Jack struggling to keep his business afloat; the local cafe is burgled; and Peter, marooned at a dry dock while on the run from bullies, is rescued by a street kid (future Pluto singer Milan Borich). Saussey won a NZ Film and TV Award for her role.
This documentary showcases some of the tricks of the trade used by Peter Jackson in the making of his first feature — the aliens-amok-in-Makara splatter classic, Bad Taste. Compiled following the film's 1988 Cannes market screening, it's framed around an extensive interview with a 25-year-old Jackson at his parents’ Pukerua Bay home. These excerpts offer fascinating insight into his ingenuity: from building a DIY Steadicam, to the making of the infamous sheep-obliterating rocket launcher scene, to PJ musing on the impetus that being an only child provided him.
This stylishly high camp melodrama from directors Stewart Main and Peter Wells won acclaim, after debuting at the 1993 Cannes Film Festival. In the imaginary 19th-century town of Hope, draper Dorothea Brooks (Jennifer Ward-Lealand) is desperate to save her sister from the clutches of opium, sex and the dastardly Fraser. She begs hunky migrant Lawrence Hayes to help; but complications ensue. Inspired partly by 1930s and 40s Hollywood melodramas, Desperate Remedies was sumptously shot by Leon Narbey (Whale Rider). Richard King writes about the film here.
Overhearing his crush say she only likes “real island guys” is all it takes to get Adam (Neil Amituanai, in his big screen debut) packing his bags for Samoa, in this comedy by Stallone Vaiaoga-Ioasa (TV's Fresh). Shot largely in Samoa over two weeks, the self-funded film co-stars Samoan locals Vito Vito and Fesuiai Viliamu as Adam’s cousins, teaching him the basics of island life. Three Wise Cousins reached number eight at the NZ box office in its opening weekend, and continued to win solid audiences, despite minimal publicity. Stuff critic James Croot called it "colourful and charming".
Big business and a small, struggling rural support town are on a collision course in this good-natured comedy made on a shoestring budget with extensive community goodwill. Policeman, author and film director Stefen Harris reunites the cast from his debut The Waimate Conspiracy, but moves the action up SH1 to Temuka. An adaptation of his novel The Hydrosnipe, it features Mark Hadlow as an amoral corporate trouble-shooter threatening the town’s only petrol station after its recently deceased owner may have stumbled on a priceless scientific breakthrough.
This 76-minute documentary looks at efforts to restore the mauri (life spirit) of Northland's Lake Omapere, a large fresh water lake — and taonga to the Ngāpuhi people — made toxic by pollution. Simon Marler's film offers a timely challenge to New Zealand's 100% Pure branding, and an argument for kaitiakitanga (guardianship) that respects ecological and spiritual well-being. There is spectacular footage of the lake's endangered long-finned eel. Barry Barclay in Onfilm called the film "powerful, sobering". It screened at the 2008 National Geographic All Roads Film Festival.
In director Geoff Murphy's cult sci fi feature, a global energy project has malfunctioned and scientist Zac Hobson (Bruno Lawrence) awakes to find himself the only living being left on earth. At first he lives out his fantasies, helping himself to cars and clothes, before the implications of being 'man alone' sink in. As this awareness sends him to the brink of madness — see the excerpt above — he discovers two other survivors. One of them is a woman. The Los Angeles Daily News called the movie “quite simply the best science-fiction film of the 80s”. Read more about it here.
During his last session on air, a veteran radio announcer finds himself on a quest through the streets and sewers. His mission: to retrieve a special record, in time to play it for a devoted listener. Signing Off was made by Nightmare Productions, a team of Dunedin filmmakers. The success of this comic adventure helped lead to Scarfies, the feature debut of Nightmare team member, director Robert Sarkies (Two Little Boys, Out of the Blue). A big seller overseas, Signing Off won awards at film festivals from Dresden to Montreal.
It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”
In 1983, director Geoff Murphy stormed out of the scrub of the nascent Kiwi film industry with a quadruple-barreled shotgun take on the great New Zealand colonial epic. Set during the New Zealand Wars, this tale of a Māori leader (Anzac Wallace) and his bloody path to redress 'imbalance' became the second local film officially selected for the Cannes Film Festival, and the second biggest local hit to that date (after Murphy's Goodbye Pork Pie). A producer-driven recut was later shown in the United States. This 2013 redux offers Utu “enhanced and restored”.