Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
If a single word could sum up the free-wheeling flavour of alternative music and comedy in Aotearoa during the 1970s, that word would surely be ... Blerta. The 'Bruno Lawrence Electric Revelation and Travelling Apparition' included foundation members of the NZ screen industry (Lawrence, Geoff Murphy, Alun Bollinger) plus other merry pranksters. Drawing on the Blerta TV series and beyond, Blerta Revisited (aka Blerta - The Return Trip) is an anarchic collection of comedy skits, musical interludes and films culled from the Blerta archives. Costa Botes writes about Blerta here.
Taika (Boy) Waititi's first feature is an offbeat comedy about two lonely misfits and their attempts to find love. Lily (Loren Taylor) is a shy fast-food cashier with a crush on clueless gaming geek Jarrod (Conchord Jemaine Clement). When Lily crashes Jarrod's fancy dress party wearing a shark costume and impresses the self-styled ‘Eagle Lord' with her gaming prowess — excerpted here — she gets her man. But their budding romance is sorely tested by Jarrod's obsession with a childhood nemesis. Empire called the film, "a comic delight destined for cult adoration."
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and people could be imprisoned for providing food to those involved. This documentary tells the story of the infamous lockout of waterside workers, and the extended nationwide strike which followed. There are interviews with many who were involved, from workers to journalists. 1951 won Best Documentary at the 2002 New Zealand Television Awards, and John Bates (50 Years of Television) was named Best Documentary Director.