New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.
Paul Holmes presents this third TVNZ Leaders Debate before the 2002 General Election. Prime Minister Helen Clark (Labour) talks of "keeping a good job going", while challenger Bill English (National) pitches that Kiwis "deserve better". After a campaign featuring GE corn and a controversial worm (used in the first debate), this final discussion before the election features the leaders of the two main parties arguing over "the issues that matter" (health, education, taxes, MMP machinations) in front of a half-Labour, half-National audience at Avalon's 'TVNZ election centre'.
This Coming Home episode introduces two Kiwi "pioneers in their fields": psychologist John Money and horse expert Wayne McIlwraith. Colorado-based McIlwraith works on top racehorses around the globe, then goes climbing on his rare days off. Money was celebrated and criticised for his game-changing work on gender and sexuality. Returning for a visit downunder, he sets about donating his artworks to a museum in Gore. The episode was made soon after doubts were first raised about the success of Money's most famous case of gender reassignment, David Reimer.
Mikey Havoc and Newsboy (Jeremy Wells) take a typically sideways glance at the 2002 general election in this one-off special, broadcast live from inside "a giant stainless steel question mark on the neutral electorate of Rangitoto Island." In case you hadn't noticed (Havoc presents in Paul Frank pyjamas), the analysis is more satirical than factual, and along the way they find time to put the boot into Auckland's then-mayor John Banks, learn parliamentary etiquette from Jonathan Hunt and compliment Don Brash on his six-cylinder Ford.
The TVNZ Leaders Debate for the 2002 General Election attracted controversy for its use of an onscreen graph, which tracked the response of 100 undecided voters in real time. There was concern that the device – aka 'The Worm', first launched in 1996 – would put a focus on populism and TV performance over policy. This post-debate analysis, with broadcaster Peter Williams hosting a panel of political commentators, includes a behind the scenes look at The Worm. Peter Dunne’s later success in the 2002 election was credited in part to his mastery of the line's rises and dips.
In this 2001 documentary, popular columnist Joe Bennett goes behind the scenes of the “sausage factory” of Kiwi politics in Wellington – from The Beehive to The Green Parrot Cafe. Exploring the machinations of power in New Zealand, Bennett meets press secretaries, lobbyists, and spin doctors, from Helen Clark’s Chief of Staff Heather Simpson to press gallery reporter Barry Soper. The documentary marked a further collaboration between director Richard Riddiford and Bennett, after Jafas, where Bennett compared Auckland and Aotearoa's views of each other.
This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.
Screened in the lead-up to the 1999 World Cup final, this keenly-watched series explores the history of our most famous sports team. Episode one is framed around All Black encounters with England, Wales and Scotland. In these excerpts, Quinn tracks down 60s test prop 'Jazz' Muller (whose home is a shrine to touring days), explores prop Keith Murdoch’s infamous 1972 tour expulsion; visits the marae of George Nepia, examines rugby’s far-from-egalitarian status in England; and various All Blacks recall the rare shame of losing, amidst a history of victory.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."