Ada (Holly Hunter) has been mute since she was six. She travels from Scotland with her daughter (Anna Paquin) and her grand piano to colonial New Zealand, for an arranged marriage. When her husband, a stoic settler (Sam Neill) sells the piano to Baines (Harvey Keitel), Ada and Baines come to a secret agreement. She can win her piano back key by key by playing for him, as he acts out his desire for her. An especially big hit in Europe, Jane Campion's Oscar-winning tale of sexual emancipation in the bush is the only NZ film to have won the top award at the Cannes Film Festival.
While beachcombing, April (Hester Joyce) discovers an injured man and claims him as her own. She must keep him a secret, and alive, in a makeshift community called Paradise. But Paradise is under threat and the other residents are slowly moving on. Fiercely protective of the broken man in her bed, April cannot leave, nor can she stay. For April there is nowhere to go but up. Directed by Niki Caro (Whale Rider), Sure To Rise competed for the Palme d’Or at the 1994 Cannes Film Festival. Producer Owen Hughes writes here about where the film's rise led its director.
A young boy is afflicted by apocalyptic visions in medieval Cumbria. Believing he is divinely inspired to save his village from the Black Death, he persuades a group of men to follow him into a tunnel. They dig deep into the earth and emerge ... in Auckland, New Zealand, 1987. Following portents, the time travelers must negotiate the terrors of a strange new world, (motorways, nuclear submarines) — while seeking to save their own. Nominated for the Palme d'Or at Cannes, it scooped the gongs at the 1988 AFI and 1989 NZ Film & TV Awards.
This 1986 Kaleidoscope excerpt visits the world’s premier film festival. Reporter and future Once Were Warriors producer Robin Scholes begins with the official competition – where two years before Vigil vied for the top prize, the Palme d’Or – then focuses on Kiwi films being promoted in the marketplace. She interviews the NZ Film Commission's Lindsay Shelton (selling Arriving Tuesday); Dorothee Pinfold (Dangerous Orphans), asks producer Larry Parr (Bridge to Nowhere) if Kiwi films can survive without tax breaks, and chats to Challenge Films' Henry Fownes and Paul Davis.
A father attempts to discipline his son for throwing orange peel out the window on a summertime car-trip. Said director Jane Campion of the film: "I knew these people who all had red hair and they were part of a family. They were also alike in character, extreme and stubborn. Their drive in the country begins an intrigue of awesome belligerence." This tale of domestic tension might have been subtitled "gingernuts". At the 1986 Cannes Film Festival Peel won the Palme d'Or for Best Short Film (1986) making Campion the first woman (and only New Zealander) to achieve the honour.