Pūkana - 2015 Episode

Television, 2015 (Full Length Episode)

Named after the exaggerated facial expressions performed in a haka, this long-running children's series emphasises the energy of contemporary youth culture. Made by company Cinco Cine, Pūkana was pioneering in Māori language programming for kids. This 2015 episode sees the crew of reporters stunt driving, skydiving, camping, kayaking, bungy jumping, and hanging out with a tarantula. The crew includes past Homai te Pakipaki champ Pikiteora Mura-Hitai, and veteran Pūkana presenter Tiara Tāwera, who is about to follow Mātai Smith and switch to directing on the show.

50 Years of New Zealand Television: 7 - Taonga TV

Television, 2010 (Full Length Episode)

This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.

Christchurch 1974

Short Film, 1970 (Full Length)

This National Film Unit film visits Christchurch roughly four years before the main event, to promote the city’s readiness to host the Commonwealth Games. A comical potted history of New Zealand precedes a montage of young women cycling around Canterbury environs and a split screen catalogue of NZ tourist attractions, before getting into a survey of the venues. As the opening demonstrates, “there’s always a traditional welcome awaiting our friends!” In 1973 the NFU completed a second film called Christchurch 74, before covering the games themselves in the feature-length Games 74

Nau Mai Rā

Television, 2017 (Excerpts)

'Welcome Home' was released in 2005. Dave Dobbyn has performed it many times since, including at the opening of a concert for victims of the 2019 Christchurch mosque attacks. In 2017 he joined translator Te Haumihiata Mason and members of Māori group Maimoa Music, to create a te reo version of the track for Māori Language Week. Dobbyn found it "an honour and a privilege to sing in te reo". Here Dobbyn and Maimoa perform 'Nau Mai Rā' ('Welcome Home') at the climax of Tāngia Tō Arero ki te Reo, a live concert celebrating 2017's Te Wiki o te Reo Māori.

John Rowles

Television, 1976 (Full Length Episode)

This 1976 concert sees Kiwi entertainment great John Rowles bring his cabaret show to His Majesty's Theatre in Auckland. Back from a hotel residency in Hawaii, Rowles belts out the ballads in his booming baritone. Tanned, in pastel blue flares, wide lapels, and plenty of bling, Rowles (here nearly 30) croons about wahine from Mandy to Sweet Caroline, to his iconic "island sweetheart" Cheryl Moana Marie. Memorable moments include tributes to Norman Kirk and singer Inia Te Wiata, a haka with Dave from Palmerston North, and a rousing finish with 'Mr Bojangles'.

Through the Lens - The First 10 Years of Māori Television

Television, 2014 (Full Length)

This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).

The Stage - Haka Fusion - First Episode

Television, 2016 (Full Length Episode)

Television talent show franchises like Got Talent and X Factor won huge global popularity in the first two decades of the 21st Century. In 2016 the format got an Aotearoa twist with this Māori Television series: each contestant’s routine had to include kapa haka. Hosted by Kimo Houltham, this first episode sees Norris Studios (jazz ballet), Mana Wairua (contemporary), and Sovreign (hip hop) compete to see who has "haka flair". Manu Wairua’s World War II-inspired act and Sovreign’s rākau (Māori weaponry) skills saw the judges send them to the quarter finals.

ASB Polyfest 2017 - Ngā Puna o Waiōrea (Series Two, Episode Seven)

Television, 2017 (Full Length Episode)

Polyfest, the annual secondary schools' Māori and Pacific Island cultural festival, attracts around 90,000 people and 9000 performers from 64 schools to Manukau Sports Bowl. The 2017 Māori Television coverage, hosted by Sonny Ngatai, showcased every kapa haka performance over 50 30 minute slots. This episode features former winners and 2016 runners-up Ngā Puna o Waiōrea (Western Springs College), who perform routines including poi and haka. Puawai Taiapa (Pūkana) and social media stars Cougar Boys and Chardé Heremaia (Memoirs of a Māori) interview rangatahi.

Loading Docs 2017 - Kōtuku Rerenga Rua

Web, 2017 (Full Length)

Kōtuku Rerenga Rua (the second flight of the heron) explores the impact of a near-death experience on Kōtuku Tibble. The teacher and media personality (from te teo Rugby World Cup commentator, to running language lessons on TV show Pūkana) talks about being reborn as the husband, father and leader he believes he is destined to be. Co-directed by Tim Worrall and Aaron Smart (The Road to Whakarae),  the short documentary was made in te reo Māori for web series Loading Docs. Sadly Kõtuku Tibble died in his sleep, a few months after Kōtuku Rerenga Rua was completed.

Haka - A Musical and a History

Short Film, 1988 (Full Length)

In Haka Māori myth is re-told through a series of stirring haka performances. Men stomp, invoke, and do pūkana (tongue out, eyes wide) amidst spitting mud and fire and ... in Paremoremo Prison and under a motorway. These scenes are intercut with archive imagery of post-pākehā Māori life, from first contact to Maori Battalion, urban drift and protest. The film is a tribute to the raw power, and art, of haka. Ultimately the Once Were Warriors-like message "is positive because of the fierce, irresistible pride of the performances." Peter Calder, (NZ Herald, 1989)