Das Tub kickstarted an award-winning run of CGI short films for Media Design School students working under their 3D animation tutor, director James Cunningham. Part live-action, part CGI, its tale of a German U-boat crew facing danger under the ocean pays homage to submarine classic Das Boot — before a Pythonesque twist which features a cameo from writer Nick Ward. Short, sharp and lovingly rendered, the film won 'best short short' at the 2011 Aspen Shortsfest, while Cunningham (Poppy, Infection) took Best Director at the Honolulu Film Awards.
Daniel Herlihy’s naval career spanned 44 years, making him the longest continuous serving member of the New Zealand Navy. He joined in 1949, at the age of 14. Even before seeing active service in Korea he’d been involved in keeping New Zealand ports running, during the infamous 1951 waterfront dispute. Following significant action off Korea’s coasts, Daniel was later involved in the Suez Crisis and the Malayan Emergency. Later, while commanding a coastal patrol vessel, he took part in action against illegal Taiwanese fishing boats. At 82, Daniel recalls many details.
This 1983 film looks at New Zealand in World War II, via a compilation of footage from the National Film Unit’s Weekly Review newsreel series, which screened in NZ cinemas from 1941 to 1946. It begins with Prime Minister Savage’s “where Britain goes, we go” speech, and covers campaigns in Europe, Africa and the Pacific, and life on the home front. The propaganda film excerpts are augmented with narration and graphics giving context to the war effort. Helen Martin called it "a fascinating record of documentary filmmaking at a crucial time in the country’s history".
Going with his father to see the battleship HMS Ramilles set Peter Couling on a course that led to the New Zealand Navy. Joining at 18, he soon found himself bound for Korea where his ship escorted convoys from Japan to Pusan. He was also on hand to see the battleship USS Missouri fire its guns in anger for the first time since World War II. That was in the early stages of the Incheon Landings. In this interview he also talks about going on parade in London for King George VI’s funeral. Back home he headed south with Sir Edmund Hillary and the Trans-Antarctic Expedition.
Between 1942 and 1944 thousands of American servicemen were 'in camp' in New Zealand, either before or after seeing action in the Pacific. This early National Film Unit documentary captures life in an Auckland military hospital, where wounded US soldiers went to recuperate. Servicemen take part in occupational therapies like 'Māori carving' and boat building, and frolick about in the harbour. There are shots of Auckland industries, a woollen mill and a weapon factory, and footage of a military parade in front of the Auckland War Memorial (now the Museum).
In this RWP interview, Karyn Hay gets Split Enz members Neil Finn and Nigel Griggs to explain some of the band's songs before a January 1983 performance at festival Sweetwaters. Both are tired of doing True Colours tracks; the album "has followed us around like a bad smell for a year and a half" says Finn. He also admits 'I Got You' was "probably only about the third lyric I'd ever written", and touches on the BBC banning of 'Six Months in a Leaky Boat'. Griggs admits he has no idea what Finn's 'History Never Repeats' is about; Finn praises Griggs' "incredibly good bass riff" on 'Lost for Words'.
The Years Back was a documentary series that used archive footage and interviews to survey New Zealand’s 20th century history. This episode details events in the Pacific during World War II, from Japan’s 1941 attack of Pearl Harbour through to mid 1944. Japan’s aggressive thrust into South East Asia threatened New Zealand and Australia (“any day now it’ll be us”), and forced the countries into war close to home. Veterans and commanders recall sea battles, rallying of air defences and jungle warfare, from New Caledonia to New Guinea.The series was made by the National Film Unit.
The line “where the bloody hell are you?” generated controversy when used in a 2006 Aussie tourism campaign; so who knows what 1980 audiences made of this promo’s exhortation to “Come on to New Zealand.” But as the narration assures: “It’s a safe country. You can walk without being molested.” Aimed at the US market, the film was made as long haul air travel was opening up NZ as a destination. Māori culture, sheep and pretty scenery are highlighted, alongside skinny dipping and weaving (!). Narrated by Bob Parker, the NFU promo marked an early gig for editor Annie Collins.
Using plenty of his own photographs to illustrate his story, Errol Schroder takes us back to the 50s, 60s and 70s to provide his memories of being a photographer with the New Zealand Air Force (Schroder also spent three years in the navy). His Air Force career saw him posted through the Pacific and South East Asia. In Vietnam, there are tales of nervous times on American bases, and a hair-raising patrol in an OV-10 Bronco aircraft. Even in retirement, action came Errol’s way — his home was wrecked in the September 2010 Christchurch earthquake.
Feeling burnt out, director Tony Williams takes his seachange literally and sets off with three mates in his recently restored 66-foot motorboat, with a grown-up son as cameraman. The plan: journey from Sydney to the Coral Sea. They witness an eclipse, find paradise in Vanuatu, and island-hop their way through New Caledonian reefs, soon after witnessing French victory in the 1998 (soccer) World Cup. Near journey’s end, a reflective Williams realises that he has experienced not just a holiday, but also “an opportunity to look at your own world from a distance”.