A part-time job at a cinema sparked Brian Holland's screen career. Soon he was managing a multiplex, and working as a film publicist. Holland's film knowledge got him a job programming movies for television. His 12 years at TVNZ included time as TV2's Assistant Programming Manager. In 2005 Holland left TVNZ and moved into producing television. In 2006 he joined Wellington's Top Shelf Productions, where he has developed programmes and been nominated for two NZ TV Awards in the one year: for the Mike King-presented Nutter's Club and offbeat arts show The Sitting. He is now Top Shelf's Head of Development.
Alongside a radio career spanning more than half a century, Barry Holland, NZOM, has done numerous presenting jobs on television. Since starting his broadcasting career at Radio 1ZB in the early 60s, he has commentated the Olympic Games and the America’s Cup, and been the face of classic Kiwi TV series like On The Mat and Top Town.
Alongside more than 50 years as a radio personality, Barry Holland has appeared on New Zealand TV screens many times. Holland has been a weather presenter and newsreader, and has commentated the Olympic Games and America’s Cup. He was also the presenter on a number of popular TV shows, including On the Mat, Top Town and Sunday Afternoon Sportsworld.
A career in film promotions helped win Brian Holland a job programming films to screen on TVNZ. In his 12 years at the state broadcaster he moved from movies to general programming for TV2. Since leaving TVNZ he has worked for various production companies, developing a range of programming.
Separation City is a comedy-drama about the complications that ensue as two marriages collapse. Men's groups and midlife crises in contemporary Wellington make up the world in which the multi-national cast explores, in screenwriter Tom Scott's words, "biology and human nature". This feature marks the first solo film script by political cartoonist Scott, who honed his writing skills on a run of TV projects during the two-decade journey to bring the film to the screen. Successful commercials director, Australian-based Kiwi Paul Middleditch, directs.
This classic soft drink advert saw a supergroup of 80s music talent cooling off ... in a steamy L&P factory. The industrial-strength line-up — When the Cats Away’s Margaret Urlich and a blink or you'll miss her Annie Crummer; Ardijah’s Ryan and Betty-Anne Monga; Erana Clark, Peter Morgan, and DD Smash drummer Peter Warren — belt out a 60s Motown song (produced here by Murray Grindlay). Fane Flaws plays a supervisor loosened up by “the thirst quencher”. ‘Heatwave’ was a hit single in late 1987, with the group named ‘80 in the Shade’. The ad was named the year's best.
Daniel Herlihy’s naval career spanned 44 years, making him the longest continuous serving member of the New Zealand Navy. He joined in 1949, at the age of 14. Even before seeing active service in Korea he’d been involved in keeping New Zealand ports running, during the infamous 1951 waterfront dispute. Following significant action off Korea’s coasts, Daniel was later involved in the Suez Crisis and the Malayan Emergency. Later, while commanding a coastal patrol vessel, he took part in action against illegal Taiwanese fishing boats. At 82, Daniel recalls many details.
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and the Government used force against its own citizens. Featuring interviews with many who were involved, this film tells the story of the infamous lockout of waterside workers, and the nationwide strike which followed. 1951 won Best Documentary at the 2002 New Zealand Television Awards, and John Bates was named Best Documentary Director.
Sensuous expressions of landscape and the human form made Edward Bullmore (aka Ted Bullmore) a pioneer of surrealism in New Zealand art. This Kaleidoscope report interviews the painter’s colleagues and family, and surveys the artist’s life and career: from an unlikely mix of Balclutha farm boy, Canterbury rep rugby player and Ilam art student, to success in 60s London – exhibiting with René Magritte and Salvador Dali, and having his works used by Stanley Kubrick in film A Clockwork Orange – before returning to teach in Rotorua (and obscurity), and his untimely death in 1978.
A request from Holland's National Museum of Ethnology to acquire a Māori war canoe (waka taua) as a permanent exhibit resulted in master builder Hector Busby being commissioned to craft one. Jan Bieringa’s film looks at the history of waka, and follows the project from construction and launch, to the training of a Dutch crew and arrival in Holland. The first waka to permanently leave New Zealand shores makes a surreal sight on the canals of Abel Tasman’s birthplace. Onfilm reviewer Helen Martin praised it as "a special film about a very special project."