Vocal harmony group Purest Form was discovered when the manager of Rainbow’s End saw them busking in downtown Auckland. Their smooth harmonies were used to promote the amusement park — “take me back to the rainbow, that rainbow kinda magic!” — in a 1993 commercial. Before splitting in 1997, they got four singles in the Kiwi top 40. Their cover of ‘Message to My Girl’ peaked at number two, and won Single of the Year at the 1995 NZ Music Awards; Purest Form was also nominated for Most Promising Group.
Roger Horrocks is an academic and writer who has mentored many figures in the New Zealand screen industry. Horrocks began teaching film studies at Auckland University in the 1970s, at a time when film was looked down on by academics. He helped launch the Auckland Film Festival (the precursor to the New Zealand International Film Festival), and was a founding board member of funding body NZ On Air.
Samoan-born actor Pua Magasiva was inspired by his older brother Robbie Magasiva to get into show business. Best known for playing nurse Vinnie Kruse in Shortland Street, he also had roles in TV productions Power Rangers, Outrageous Fortune and Diplomatic Immunity. He also appeared in films Sione's Wedding (as Sione), 30 Days of Night, and Matariki. Magasiva passed away in May 2019.
Rima Te Wiata won fame with her impersonations of famous New Zealanders in comedy shows Laughinz and More Issues. Her most famous parody was of newsreader Judy Bailey. Te Wiata is also a successful dramatic actor, having appeared in Shark in the Park and Shortland Street. Her film credits include Via Satellite and — after this interview was conducted — Housebound and Hunt for the Wilderpeople.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
Low-tech legend Chris Knox is an accomplished musician, cartoonist, critic, filmmaker, and jandal wearer. As this collection demonstrates, his genius takes flight in the DIY aesthetic of his music videos. As Flying Nun founder Roger Shepherd says in his backgrounder, “this is a unique and important collection of work perfectly illustrating what is possible with the barest of resources and a free-wheeling imagination”. Russell Brown adds his view here. Alongside music videos, the collection also includes interviews with Knox and profiles of bands Toy Love and Tall Dwarfs.
This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
Celebrating the 75th anniversary of government filmmakers the National Film Unit, this collection pulls highlights from the 370+ wartime newsreels, tourism promos and Oscar nominees from the NFU which can be watched on NZ On Screen. Curated by NFU expert Clive Sowry, the collection includes backgrounders by Roger Horrocks, plus Film Unit alumni Sam Pillsbury, Paul Maunder, Arthur Everard and Lynton Diggle.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".