On 09 July 2002 the ruling Labour Party was under pressure on the Genetic Engineering (GE) issue, when John Campbell confronted Prime Minister Helen Clark over the suspected release of GE corn seed in 2000. In a 3 News special a fired-up Campbell, informed by Nicky Hager's yet-to-be-published Seeds of Distrust, alleged there had been a cover up. Upset at what she perceived as an ambush, Clark reacted tersely; she later labelled Campbell a "sanctimonious little creep". With a general election looming, the encounter was dubbed 'Corngate'.
The inventions of Bill Hamilton dominate this instalment of long-running cinema series Pictorial Parade. Hamilton tests his pioneering jet boat on Canterbury's Ohau River, while new inventions including a hydraulic digger are put to the test on the hard rocky soils at Irishman Creek. Meanwhile on the production line in Christchurch, engineers and machinists are hard at work getting graders and loaders in top working order. Also featured is a new diesel railcar on New Zealand’s train network, and the crew of the HMNZS Hawea and HMNZS Black Prince training in the Cook Strait.
Stoney Burke reckons aviation fuel just about runs in his veins; fascinated by aircraft since childhood, joining the Royal New Zealand Air Force felt like a logical choice. Burke's long career as an engineer both on the ground and in the air included helping get supplies to Nepal for Sir Edmund Hillary’s school building projects, plus service in the Vietnam War. Flying into Saigon and some of the forward air bases in Vietnam could prove tricky, with planes taking small arms fire on their approach. Post Air Force, Stoney continued his career at Air New Zealand.
The TVNZ Leaders Debate for the 2002 General Election attracted controversy for its use of an onscreen graph, which tracked the response of 100 undecided voters in real time. There was concern that the device – aka 'The Worm', first launched in 1996 – would put a focus on populism and TV performance over policy. This post-debate analysis, with broadcaster Peter Williams hosting a panel of political commentators, includes a behind the scenes look at The Worm. Peter Dunne’s later success in the 2002 election was credited in part to his mastery of the line's rises and dips.
This documentary looks at the construction of a replica of the HMS Bounty, in Whangerei. The ship was commissioned to be built for a David Lean (Lawrence of Arabia) film of the famous mutiny. Fidelity to the original is paramount, except the 20th Century edition has a steel hull. Construction of the boat carries on regardless of uncertain fortunes of the film, as producer Dino De Laurentiis and David Lean part ways. The Lean film was ultimately unmade after financing faltered, but the boat went on to star in Kiwi director Roger Donaldson's film of the story.
This animated short is set in "not so distant future" Aotearoa, where a plague has devastated livestock farming. The morbid nursery rhyme, narrated by Geraldine Brophy, tells of a scientist who creates a "different kind of meat from the resources still here". Matasila Freshwater's short was picked for the 'New Zealand’s Best' section of the 2016 NZ International Film Festival, by a team that included director Lee Tamahori (Once Were Warriors). It also screened at Spain's Sitges International Fantastic Film Festival, and won Best Animated Short at Sydney festival A Night of Horror.
Set in a world where animal is vegetable and the creepy crawlies are just that, this short film showcases the trippy talents of animators Joe Wylie (Kiwi classics Te Rerenga Wairua, Bride of Frankenstein) and John Robertson (internationally lauded for his commercials work). Following a nightwatchman whose meddling kicks evolution into overdrive at the pesticide factory, the film injects a chirruping, clanking ambient score into a petri dish of Naked Lunch, The Fly and and some B-movie black comedy. It was selected for France's Annecy Animation Festival in 1993.
The first instalment of this two part documentary chronicles the effects of Christchurch’s September 2010 earthquake on a variety of everyday people. They have seen damage to their city they would never have imagined, houses have been destroyed, liquefaction has entered their vocabulary and the ground beneath their feet can no longer be trusted. Miraculously, there has been no loss of life. As seismologists seek to understand what happened, the interviewees tentatively rebuild disrupted lives, but the fatal quakes of 22 February cruelly derail that recovery.
Christchurch based Paua Productions set out to document the effects of the city’s 4 September earthquake in 2010 but found themselves overtaken by the tragic events of 22 February 22. Their focus is the experiences of everyday people coping with the destruction of large tracts of their city, significant injuries and major loss of life as liquefaction, ruined homes and thousands of aftershocks prolong the initial trauma. A number of the interviewees were followed over a year, as they struggled to come to terms with what had happened and move on.
This short 1979 National Film Unit documentary heads up the steep bush-clad West Coast valleys from Rūnanga, to profile the men at work at five private coal mines. Director Conon Fraser (Looking at New Zealand) showcases the remarkable DIY resourcefulness required by the small groups of miners. The rugged individuals work the seams, push bins along steep incline railways and dump the loads down vertiginously steep flumes. At the time this film was made waning prospects for the unique way of life were looking up, as high oil prices spurred demand for coal.