This report from 80s current affairs show Close Up introduces the New Zealand public to future Prime Minister Jim Bolger — shortly after the “lightning coup” that saw him unseating urban lawyer Jim McLay, to become leader of the National Party. The focus is on Bolger’s rural roots as a father and farmer. There is also praise from political historian Barry Gustafson, and a mini journalistic joust with ex PM Robert Muldoon, over whether he supports the new party leader. In 1987 Labour was re-elected for another term; Bolger’s party swept to victory in 1990.
This National Film Unit magazine film meets the NZ team for the 1948 London Olympics as they prepare to depart by boat (accompanied by a manager, and a chaperone for the sole female competitor). Each of the seven members is profiled in this reminder of an era when athletes had day jobs, training was 'several hours a day' and swimsuits looked more like impediments than performance aids. A nicely-shot demonstration of weightlifting technique by Maurice Crow is a highlight. Despite the enthusiasm of Selwyn Toogood's voiceover, the team failed to win any medals.
In this first edition of the NFU’s monthly magazine series, the US Davis Cup team — featuring tennis legend Vic Seixas — plays a demonstration match in Wellington, en route to Australia. Further south Christchurch hosts the annual A&P Show. Motorbike-riding traffic cops keep the traffic moving on one of the busiest days of the year, and a shot of Cathedral Square is a reminder of pre-quake days. Then Ohakea farewells No. 14 Squadron, led by World War II air ace Johnny Checketts, as its de Havilland Vampires jet off to Cyprus and Cold War peacekeeping duties.
This consolidating episode of the archive-based New Zealand history series finds World War II at an end, the return of Kiwi servicemen and the country in an optimistic mood. That's sealed by the 1950 British Empire Games where New Zealand is third on the medal table. But rising prices and low incomes lead to more militant unionism, culminating in the fractious waterfront workers dispute of 1951. At the same time there's a new flowering of the arts. The New Zealand Symphony Orchestra is established and a new generation of writers and artists take centre stage.
This 1978 National Film Unit documentary provides a potted history of settler groups that came to New Zealand from Europe. Archive material and narration covers the colonials. Then visits are paid to the German-descended Eggers, tobacco growers from Moutere, and newly arrived French bakers and Dutch dairy farmers. Aptly for a film directed by actor and future winemaker Sam Neill, the film drops in on an Italian play and the Babich family of Dalmatian winemakers. Neill worked at the NFU in his 20s, around the time of his breakout acting role in Sleeping Dogs (1977).
This was the 24th edition of New Zealand Mirror, a National Film Unit series promoting NZ to British audiences in the 1950s. The first clip, on rugby's Ranfurly Shield, was deemed “too topical” by the UK distributor, and cut from later editions. The clip in question captures the colour of the national obsession (knuckle bones, livestock parades) at Athletic Park, where Taranaki challenge shield holders Wellington. It was later seen in NZ theatres as a short, playing with 1982 rugby tale Carry Me Back. The latter segments show Kaiapoi ploughing, and Wairakei thermal energy.
This 1983 Hamish Keith-presented documentary is subtitled 'Housing New Zealand in the Twentieth Century'. Part two picks up from Michael Joseph Savage’s 1930s state housing scheme. Keith argues that as the emphasis shifted from renting to owning, middle class suburbia became the foundation of Kiwi postwar aspirations. He looks at changing demographics in the cities — as home owners fled on newly built motorways — and argues that the suburban ideal has become bland and out of reach, as New Zealand once again becomes a country of “mean streets and mansions”.
At 11am on 15 August 1945 news of Japanese surrender reached New Zealand, marking the end of the nation's six years in World War II. This newsreel records the public celebrations in windy downtown Wellington and on Auckland’s Queen St, where there are street parties, bagpipes and beer as tensions are released. At Wellington Town Hall on the second day of the public holiday, tributes are paid to “team spirit”; and Prime Minister Fraser hopes for social justice and that the dead have not died in vain. Then there is a mass rendition of ‘Land of Hope of Glory’.
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.