Three friends tour the Wellington pub scene, playing pool with ever-increasing stakes. Then they enter a tournament run by vicious crime boss ‘Daddy'. Narrator Kirk Torrance (Outrageous Fortune) guides us through their mission to pocket the money. Hamish Rothwell's only feature to date was a Kiwi take on the UK urban underbelly genre (Lock, Stock etc). "Smart, stylish and effortlessly entertaining" (Dominion Post) the film was a hit with young males and won several 2001 NZ Film and TV Awards (including best director, script, and actor). It sold to over 30 countries.
Reporter Paul Hobbs joins the Kiwis congregating at the Cannes Film Festival for this 2004 One Network News report. Hobbs is on the French Riviera to hear about two of the most expensive New Zealand stories yet to win funding: historical drama River Queen and vampire tale Perfect Creature. Hobbs hints at budgets north of $20 million. Among the Kiwis talking things up are NZ Film Commission Chief Executive Ruth Harley, River Queen investor Eric Watson, and director Roger Donaldson. Cliff Curtis pops by, and Fat Freddy's Drop lay down some party tunes.
Nanna Maria (Ruby Dee), the matriarch of a Fijian family living in Auckland, feels that the heart has gone out of her clan. She demands that her grown grandchildren put on a traditional feast, at which she will name her successor. The grandchildren — Soul, Charlene, Hibiscus, Erasmus, and Tyson — reluctantly turn up. But tiffs send the day into chaos. Nanna calls the whole thing off. This lovo-warmed love letter to his Mt Roskill hometown was the debut film for director Toa Fraser (Dean Spanley). It screened at many festivals; it won the World Cinema audience award at Sundance in 2006.
For her first feature, writer/director Gillian Ashurst wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (future Almighty Johnson Dean O’Gorman). But the duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: praising the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including best film and cinematography.
This theatrically released documentary charts 23 years of highs and lows for one of NZ's most enduring rock bands — complete with personal dramas, early tragedy, adoring local audiences, album sales of 250,000, attempts to crack the United States, and that agonising name change. Seeking an audience beyond the faithful, award-winning director Sam Peacocke expanded the story's scope to feature the band's family and friends as much as the music. NZ Herald entertainment writer Scott Kara called the result "a cracker", and "a must-see for fans of the band".
Taika Waititi's fourth feature is the tale of a city kid and a grumpy uncle on the run. Raised on hip hop and state care, Ricky (Shopping's Julian Dennison) goes bush with his foster uncle (Sam Neill). The authorities are on their tail. Wilderpeople is based on Barry Crump book Wild Pork and Watercress. Keen to recapture the style of classic screen yarns like Came a Hot Friday, Waititi's aim was a funny, accessible adventure. The result began winning acclaim when it debuted at North America's Sundance Film Festival, before becoming Aotearoa's biggest ever local hit.
Former pro wrestler Wilbur McDougall was battling addiction and self-imposed isolation before undergoing gastric sleeve surgery. For this serio-comic documentary, he let university mate J Ollie Lucks film his journey of transformation. McDougall needs a new wrestling persona — and the "happiness and self-acceptance that has eluded him for so long". Will his friendship with Lucks survive, as the filmmaker jumps at the story from the top rope? Lucks and Julia Parnell's feature began in 2015 as a short film for Loading Docs. The long version debuted at 2017's Doc Edge Festival.
Made to mark 100 years of women's suffrage in New Zealand, Bread & Roses tells the story of pioneering trade unionist, politician and feminist Sonja Davies (1923 - 2005), who rose to prominence in the 1940s and 50s. Directed by Gaylene Preston and co-written by Graeme Tetley, the acclaimed three-hour production played on television screens, and also got a limited cinema release. Australian actor Geneviève Picot (as Sonja Davies) and Mick Rose (as her husband) won gongs for their roles at the 1994 NZ Film and TV Awards. Bianca Zander writes about Bread & Roses here.
Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
Belief examines the 2007 death of young Wainuiomata mother Janet Moses during an attempted exorcism. It uses a blend of interviews and reenactments to explore a tragedy which director David Stubbs believes was caused by "fear and love mixing and turning into hysteria". In 2009 five members of Janet’s family were charged in relation to her death. Belief debuted in the 2015 NZ International Film Festival before screening on TV One. Herald critic Peter Calder called it "compelling and heartbreaking". David Stubbs was judged Best Documentary Director at the 2017 Moa Awards.