This series saw longtime Radio New Zealand National host Kim Hill foray from behind the microphone to in front of the cameras. The format was 25-min one-on-one interviews with politicians and newsmakers; it was designed to allow "the time to really discuss an issue ... in doing so we're able to get more context and more enlightenment." Interviewees ranged from ex-PM David Lange, Destiny Church supremo Brian Tamaki, comedian John Clarke, feminist author Germaine Greer, and Australian activist-writer John Pilger (with whom Hill had an infamous stoush).
Kowhai and Monty Hook run into some chic city girls at the dairy who invite them to play at an art opening. Under the influence of his mum’s “alternative medicine”, Monty pens an ode to spaghetti which Kowhai tries to reframe as a feminist thinkpiece. Crooner Frankie Stevens voices the twins’ slightly scary dad in this 10-part animated series created by Jessica Hansell. Wellington animators Skyranch is a collective of artist/musicians including Luke Rowell aka Disasteradio, responsible for the background sight gags.
Hooks and Feelers tells the story of a painter haunted by an accident in which her son lost a hand. Written and directed by Melanie Rodriga, the 45-minute psychological drama explores guilt and reconciliation as the family adjusts to his disability. An adaptation of the short story by future Booker Prize-winner Keri Hulme, Hooks and Feelers starred jazz singer Bridgette Allen and Keith Aberdein (Smash Palace). It screened on TV in 1984. With producer Don Reynolds, Rodriga (then known as Melanie Read) would go on to make pioneering feminist thriller Trial Run (1984).
Made to mark 100 years of women's suffrage in New Zealand, Bread & Roses tells the story of pioneering trade unionist, politician and feminist Sonja Davies (1923 - 2005), who rose to prominence in the 1940s and 50s. Directed by Gaylene Preston and co-written by Graeme Tetley, the acclaimed three-hour production played on television screens, and also got a limited cinema release. Australian actor Geneviève Picot (as Sonja Davies) and Mick Rose (as her husband) won gongs for their roles at the 1994 NZ Film and TV Awards. Bianca Zander writes about Bread & Roses here.
Look Blue Go Purple were part of Flying Nun’s ‘second wave’ (along with Doublehappys, The Verlaines and Sneaky Feelings). Formed in 1983 in a Dunedin practice room under a motorcycle shop, the band developed a distinctive style as they layered vocal harmonies, keyboards (and even flute) over trademark Dunedin guitar strum and backbeat. They released three EPs before calling it a day. Though they'd made a conscious call to play with other women, LBGP never labelled themselves as a “feminist” or “girl” band, and grew tired of endlessly asked about gender in interviews. “Gender has nothing to do with it.”
Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.
Initially unsure of how to make a career in comedy or the arts, the politically minded Jo Randerson has become a writer, performer and theatre director.
Alongside co-starring in classic office comedy Gliding On, Susan Wilson has acted in drama series Pioneer Women and a host of stage roles. This Funny As interview sees her touching on several subjects, including: Still being recognised for her Gliding On role as straight-talking office worker Beryl — which she played for five seasons Feeling lucky she got to play an early feminist role model on-screen — "Beryl usually solved the dilemma of the episode in some way, while all the men just couldn't cope" Lamenting the lack of diverse roles for women in the 1970s: "the girlfriend in the background, or the silly typist with the nail varnish on the desk" Working with playwright Roger Hall at Wellington's Circa Theatre: "He's always been able to capture whatever it is that's important that's going on around us" The "amazing, genius comedy" of John Clarke, witnessed while acting with him onstage in Wellington
Annie Goldson talks about the origins of award-winning documentary Sheilas: 28 Years On, which she co-directed with Dawn Hutchesson. Goldson talks about her commitment to feminism — a word her students often find problematic — and how Sheilas reintroduced audiences to five of the "interesting and powerful women" from gutsy 1977 series Women.
Rosemary McLeod devised sitcom All Things Being Equal and iconic 80s TV soap Gloss. Best-known for her outspoken columns, she talks in this extended Funny As interview about battling sexism in the 1970s, and more, including: Gloss being the most fun she had in her television career, and laughing uncontrollably with producer Janice Finn Being told her voice was too deep for the radio, because it would "make men think of bedrooms" Falling into journalism after submitting a piece to the Sunday Times about a weird weekend spent with hippies Memories — comedic and emotional — of her time in Australia writing and script editing sitcoms for the ABC Hating women being portrayed as passive and witless in 1970s TV comedies, which motivated her to write more complex parts (e.g. Ginette McDonald's character in sitcom All Things Being Equal) Finding her schtick of "offending and annoying" people, when she started writing and cartooning about feminists in The Listener