Although better known as a songwriter and champion of New Zealand music, Arthur Baysting has also made a number of contributions to the screen. In the 1970s he was a scriptwriter on breakthrough dramas Winners & Losers and Sleeping Dogs, while his white-clad alter ego Neville Purvis graced cabaret stages and a short-lived TV series. Since then he has concentrated on writing songs and screenplays.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
The three day Nambassa Festival, held on a Waihi farm in 1979, is the subject of this documentary. Attended by 60,000 people, it represented a high tide mark in Aotearoa for the Woodstock vision of a music festival as a counterculture celebration of music, crafts, alternative lifestyles and all things hippy. Performers include a frenzied Split Enz, The Plague (wearing paint), Limbs dancers, a yodelling John Hore-Grenell and prog rockers Schtung. The only downers are overzealous policing, and weather which discourages too much communing with nature after the first day.
This series, made for use as a teaching resource in secondary schools by the NZ Music Industry Commission, was produced and directed by longtime Kiwi music champion Arthur Baysting. The full series featured 47 leading acts (including Don McGlashan, the Black Seeds, Nesian Mystik, Chris Knox and Fat Freddy's Drop) talking directly to the next generation of musicians about their music and careers. They offer intimate performances of classic songs, and heartfelt advice on subjects including songwriting, recording techniques, technology and the music industry.
Kiwis are often accused of not being very good at expressing their feelings. This documentary (made for TV One's Work of Art programme) offers striking evidence to the contrary, using some of our favourite love songs as proof. A roll call of New Zealand's best-known musicians and songwriters talk here candidly about love, and play some of the songs inspired by their experiences. The result is a film that shines a light on love Kiwi-style, and provides a fascinating survey of New Zealand pop music from the last 30 years along the way.
Bill Morrison is a man on a mission. His wife and child can't walk nearly as fast. As the trio head toward the mining settlement where a new job awaits, Bill is about to react in different ways to two very different surprises — one from his wife, and one at the mine. This half-hour drama from the Winners & Losers series is based on a Maurice Shadbolt story, which later fed into Shadbolt's decade-in-the-making novel Strangers and Journeys. Singer turned advertising veteran Clyde Scott plays Bill. Actor and public speaking expert Jane Thomas John plays the nameless, long-suffering wife.
Gibson Group production Public Eye was inspired by the British series, Spitting Image. Latex puppets caricature topical personalities, mostly drawn from the world of politics (Ruth Richardson, Helen Clark, Winston Peters etc). Their foibles are duly skewered in fast-moving comic skits such as the 'Ruatoria Rasta' segment, 'The White Way' and 'Honky Tanga'. The wickedly grotesque puppets were based on drawings by cartoonist Trace Hodgson, and built by a team headed by future Weta FX maestro, Richard Taylor.
Infamous, short-lived, and arguably unfairly maligned, The Neville Purvis Family Show was hosted by the occasionally foul-mouthed and very Kiwi Neville Purvis — in reality, writer and musician Arthur Baysting (Sleeping Dogs). The series is best known for containing possibly the first use of the f-word on New Zealand television. The full episode containing the controversial utterance has likely been lost; surviving material from the show includes appearances by PM Rob Muldoon, actor Marshall Napier as Neville's mechanic mate, and Limbs Dance Company.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
This documentary follows the experiences of two groups at the 1999 Sweetwaters music festival: six teens (including actor Kate Elliott and future ad producer Nigel Sutton), and a group of 30-somethings (many veterans of the 80s era Sweetwaters). This excerpt catches up with them near the event's conclusion. Although some hangovers are being nursed, mostly spirits remain undimmed. English singer Elvis Costello drops the on-stage bomb that artists haven't been paid, Chris Knox notes the "money fiasco" his own way, and the festivalgoers rate how the weekend went.