Though it plays hell with cameras, Antarctica has long fascinated filmmakers. This hour-long National Film Unit documentary was assembled from a five-part TV series of the same name. There are looks at scientific research, early explorers, and Antarctica's affect on global climate. Made four decades ago, the programme warns of a possible "new and potentially dangerous warming period", and calls the greenhouse effect a "controversial scientific theory". The large cast includes penguins, a seal birth (clip two) and a heavyweight team of Kiwi scientists.
This trippy animation follows the spirit of a person killed in a motorway car accident. The life force (wairua) runs through forest and beaches on its journey to Te Rerenga Wairua (Cape Rēinga). En route it meets tourist buses and other spirits, before reaching the gnarly pohutukawa and making the leap towards Hawaiki-Nui. There's a real native joy in seeing contemporary 80s animation enliven ancient Māori spiritual concepts. Joe Wylie (Toy Love's Bride of Frankenstein) was in charge of the animation team; The Clean provide the soundtrack to the all-stops-out finale.
One Fell Swoop offers more DIY ingenuity from the man who has made an art form out of simplicity: a hand hypnotically moves back and forth, revealing a new notepaper lyric with each motion. The result makes for a surprisingly mesmerising video, with interludes of Knox singing in front of a chaotically shifting background seeming startling by comparison. Some neat visual effects near the end leave Knox’s face disappearing into the background, a noticeable leap from the rest of the clip’s lo-fi sensibilities. Knox directed the video with then partner Barbara Ward.
A plasticine masterpiece by Chris and sculptor Barbara Ward (with whom he shares two children) comes in the twisted style we have come to know and love. High/low-lights include a gruesome impaling and spit roasting, self mutilation on a grand scale (including extreme acupuncture) and general addled paranoia. God bless CK.
Chris Knox's partner, artist Barbara Ward, directed this promo for 'My Dumb Luck' (from the LP Seizure) - a fun black and white animation featuring a troupe of crazy skeletons. Dem bones disperse, disintegrate and do their discombobulating thing in this delightful dance clip set to the manic beat of Knox's song.
Chris Knox has described this love song as being “about as naked as I get” and “utterly heartfelt in a way that ‘Not Given Lightly’ only hints at”. So it’s no surprise the video is perhaps his most personal, with striking images of his long-time partner Barbara Ward’s face, sometimes projected on and merged with Knox’s own image. Mix in some classic low-tech Knox animation and the simple big red heart image of the Beat album cover - and it’s a poignant little gem.
Kiwi acting legend Jennifer Ward-Lealand began acting at age seven; her first screen role followed at age nine. Since then she has starred in big screen dramas Desperate Remedies and Vermilion to critical acclaim, and appeared in a long run of television shows, from TV drama Danny and Raewyn to Australian comedy show Full Frontal.
Barbara Darragh's screen costumes have been worn by ghosts, prostitutes, Māori warriors and Tainuia Kid Billy T James. An award-winner for The Dead Lands, River Queen and The End of the Golden Weather, Darragh's CV includes TV shows Under the Mountain and Greenstone, plus more than a dozen other features. She also runs Auckland costume hire company Across the Board.
Editor and director Dell King’s plans to be a filmmaker faced a challenge when she discovered that the Government’s National Film Unit had closed its doors to women directors. Instead King began her long screen career as a negative cutter, and later worked as editor or sound editor on a run of documentaries and features, including the classics Ngati and Vigil.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.