Founded in 1977 by ex-vacuum salesman Bert Potter, Centrepoint was an alternative lifestyle settlement that promoted intimate communal living, along with personal and sexual freedom. This documentary observes members' struggles to reconcile the values of their new home with the outside world. Director Geoff Steven threatened to take his name off the credits, in a successful bid to avoid the cutting of emotional scenes of 'encounter group' style psychotherapy. Potter and others were later convicted for a spate of child sex abuse and drugs charges.
This documentary from director Costa Botes (The Last Dogs of Winter, Forgotten Silver) explores the life of Angie Meiklejohn. Growing up, Meiklejohn and her siblings spent time in Bert Potter’s alternative lifestyle settlement Centrepoint, where they suffered sexual abuse. Through the lens of Meiklejohn’s experiences as both child and adult, Botes explores the dynamics of abuse, and how its victims are impacted. Says Botes: "whatever her past hurts, Angie is an engaging and loveable human being." Angie debuted at the 2018 New Zealand International Film Festival.
The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward start this leg of the journey in Palmerston North, where they meet Centrepoint Theatre artistic director and actor Alison Quigan and sculptor Robert Jahnke. Next it's Wellington, and a chat about the bucket fountain in Cuba Mall, before they visit painter Marianne Muggeridge and drop in on Circa Theatre co-founder and actor Grant Tilly, who shares his secret passion for box making. They finish up with theatre-centric band Cloudboy, who discuss their music and their move from Dunedin to Wellington.
Twenty eight years after featuring in landmark feminist documentary series Women, five interviewees reveal how their lives have changed. Donna Awatere Huata, Miriam Cameron, Sandi Hall, Aloma Parker and Marcia Russell candidly discuss work, sex, the media and Māori in this 70 minute documentary. Artist Cameron recalls how feminists were seen in the 1970s: "she was a braless, hairy, fat hag". Journalist Russell remembers not being allowed to work past 11pm because she was a woman, while psychologist Parker felt liberated by feminist Germaine Greer's refusal to wear a bra.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.
Geoff Steven's career spans documentary, experimental film and photography. In 1978, he directed acclaimed feature Skin Deep, the first major investment by the newly established NZ Film Commission. Steven followed it with Strata and a long run of documentaries, before time as a TV executive at both TV3 and TVNZ. He now heads the Our Place World Heritage Project.
Julienne Stretton spent three decades documenting NZ people and culture for TV, as a researcher, producer and director. Her subjects have ranged from Katherine Mansfield and Hollywood actor Nola Luxford, to a young disabled couple in the groundbreaking Miles and Shelly documentaries. She researched major documentaries on Moriori and Gallipoli, and shared a 1992 Qantas Award for 60 Minutes.
Irene Wood was showing her versatility from the early days of Kiwi television: by 1968 she had already been on screen presenting children's shows, singing, and playing Katherine Mansfield in TV play The White Gardenia. Since then Wood has acted in murder mystery Slipknot, Shortland Street, movie Rest for the Wicked, and won fans after playing Nan for five seasons of Go Girls.
Costa Botes has had a long independent career as a director of drama (Stalin’s Sickle, Saving Grace ), a run of feature-length documentaries (Angie, Candyman, The Last Dogs of Winter) and at least one film that is very difficult to classify (Forgotten Silver). Botes also spent many years as a film critic, with a reputation for an acerbic wit.
Though probably best known for her seven years playing Shortland Street receptionist Yvonne Jeffries, theatre has long been Alison Quigan's second home. During 18 years as artistic director at Palmerston North's Centrepoint Theatre she acted, directed 60 plus plays, and programmed many Kiwi titles. Quigan has also written extensively for the stage, and acted in a number of memorable roles for Auckland Theatre Company.