Advice show Dilemmas saw a doctor and a panel of guests responding to letters from viewers on a range of issues. In this episode, Australian GP Kerryn Phelps and guest panelists Jude Dobson, Philip Alpers and Liane Clarke deal with everything from a neighbour using a chainsaw at 6:30am on a Sunday, to violence in a relationship. The question of smacking kids as a disciplinary measure is given a children’s perspective, and Liane Clarke suggests a humorous way to deal with catcalling. Phelps went on to become the first woman elected to head the Australian Medical Association.
Cannes is the town in France where Bergman meets bikinis, and the art of filmmaking meets the art of the deal. In 1975, a group of expat Kiwis managed to score interviews with some of the festival's emerging talents, indulging their own cinematic dreams in the process. Werner Herzog waxes lyrical on the trials and scars of directing; a boyish Steven Spielberg recalls the challenges of framing shots during Jaws; Martin Scorsese and Dustin Hoffman talk a gallon. Six years later interviewer Michael Heath's debut script The Scarecrow would be invited to Cannes.
This 1997 Inside New Zealand documentary looks at the evolution of modern Māori political activism, from young 70s rebels Ngā Tamatoa, to Te Kawariki's protest at Waitangi Day in 1995. Directed by Paora Maxwell, it is framed around interviews with key figures (Syd Jackson, Hone Harawira, Ken Mair, Mike Smith, Annette Sykes, Eva Rickard, Joe Hawke). The interviewees explore events, and the kaupapa behind their activism, from thoughts on sovereignty, and the Treaty of Waitangi, through to symbolism (tree felling, land marches) and being kaitiaki of the environment.
Long fascinated by the idea of community, Florian Habicht (Love Story, Kaikohe Demolition) discovered one in an unexpected place while making his eighth feature. Spookers is the name of a live horror attraction south of Auckland, adjoining what was once Kingseat psychiatric hospital. Habicht got to know a number of the performers working there. Alongside engaging and sometimes emotional interviews — and scenes of the staff at work, scaring the punters silly with zombie brides and chainsaws — he created scenes inspired by the performers' dreams and nightmares.
The trademark warm, jangling sound of veteran Flying Nun band The Bats masks a Robert Scott lyric about emotional numbness on this song from their debut album Daddy's Highway. Director Jonathan Ogilvie's clip features a chainsaw of Damocles and the ventriloquist's dummy from the album cover — and a poignant Christchurch location. The distinctive, triangular ANZ Bank Chambers (where the band members play on the balconies) and surrounding buildings at the intersection of Manchester, High and Lichfield streets were devastated in the city's earthquakes.
In the 20th Century forests of fast-growing exotic pines were established in the North Island, making one of the world’s largest timber plantations. This short explores timber work in Kinleith and Kawerau: from planting to felling to finished product. Directed by NFU veteran Hugh Macdonald, Logger Rhythms is notable as the first Kiwi film to record sound using Dolby Stereo. Sound men Kit Rolling and Tony Johnson’s efforts capturing chainsaw and machine ambience, along with Steve Robinson’s score, compelled Dolby in London to use the film as a demonstration reel.
In a lawless fuel wars future, marauders roam the wasteland looking for oil. Their malevolent leader Straker threatens his daughter Corlie; she’s rescued by loner Hunter and they harbour with eco-sensitive folk in the Clearwater Commune ... but not for long: there will be blood on the Central Otago plains! Following in the exhaust of Mad Max, the cult film was made during the 80s tax-break feature surge, with US director (Harley Cokliss) and leads flocking south during a Hollywood writers’ strike, and Kiwis as crew (“artists with chainsaws”) and supporting cast.
Director Florian Habicht's follow-up to his offbeat fairytale Woodenhead is a documentary tribute to a community of characters, drawn together by a desire to jump in a car for the local demolition derby. Behind the bangs, prangs, and blow-ups, the heart and soul of a small Far North town — Kaikohe — is laid bare in this full-length film, thanks to a cast of fun-loving, salt of the earth locals. Kaikohe Demolition won rave reviews, and The Listener named it one of the ten best films of 2004. Filmmaker Costa Botes writes about the film's characters and qualities here.
A journeyman actor for many years, Peter McCauley is a familiar face on both sides of the Tasman, with a long string of roles in film and television. His gruff, craggy image belies a capacity for sensitivity, and his rich sonorous voice has flattered many a script over the years.
During the late 80s and early 90s Lindsay Perigo anchored on a run of high profile TVNZ news and current affairs shows, where he gained a reputation as the “doyen of political interviewers” (Metro magazine). The opera-loving broadcaster abandoned television in 1993 — famously calling the medium "braindead" — and reinvented himself as an apostle of libertarian philosophical doctrines (on radio, in print and online).