The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
This episode of C4's music series Homegrown Profiles looks at the long career of New Zealand heavy rock's favourite sons Shihad. Singer Jon Toogood talks frankly about the band's highs and lows, from forming at Wellington High School to the release of Love is the New Hate in 2005 (when this was made). In a sometimes brutally honest self-appraisal, Toogood talks about the band's success in Australia being tempered with too much drug-taking and ego, their ill-fated name change, and the great American dream that didn't quite work out as planned.
Directed by Jane Campion, An Angel at My Table is adapted from author Janet Frame's renowned three-part autobiography. It threads together a series of images and scenes to evoke Frame's dramatic life story. Originally made as a TV drama, the much-acclaimed dramatisation won cinema release in 35 countries; it established Campion as a global director, launched actor Kerry Fox, and introduced new audiences to the "mirror city" of Frame's writing. This excerpt follows Frame's life-saving escape from Seacliff Asylum, to first publishing success at Frank Sargeson’s bach.
From Shihad’s first album Churn, the video for 'Derail' is a dark and unsettling affair, recasting everyday Kiwi pursuits in a tense, almost disturbing manner. It’s directed by ex-Supergroover Joe Fisher (now known as Joe Lonie), who marries their dissonant riffs and twisted time signatures to black and white footage of horse racing and punters at the track. Added to the kiwiana gothic mix is some serious looking gumboot tossing, churches and religious imagery: cows and power pylons, golf, bumper boats, roller coasters and dodgems.
WA$TED gave an eco twist to the DIY renovation genre, by giving homes a green makeover. In this first episode the young family learning about sustainability are the Petelos, a household that guzzles gas and churns out trash. Patrick Petelo learns that if his example (taking the train a couple of days a week) was widely followed, Aotearoa’s carbon emissions would be reduced by 15%. Created by Carthew Neal, the show's format sold overseas, including to US channel Planet Green (now Destination America). Co-presenter Francesca Price later launched sustainability mag Good.
Set in London, this music video offers a Bonnie and Clyde-style tale, inspired by lyrics which contrast life for rich and poor, and speak of “churning butter into diamonds”. After opening with the discovery of a body in a wedding dress, the clip offers up a prelude to the death. The video contrasts the pair’s apparent romantic entanglement with their escalating crime spree, from petty theft to armed robbery. The widescreen clip was directed by London-based Kiwis Claire Littler and Ralph Matthews.
After turning "Jeez Wayne" into a national catchphrase with the sketch show A Week of It, comedy duo David McPhail and Jon Gadsby (plus third writer AK Grant) followed with McPhail & Gadsby, which aired on TVNZ for seven seasons — plus a reprise in 1998 and 1999. After a sometimes controversial debut season in which each episode was devoted to a specific theme (religion, sex etc), the show settled into a steady diet of political satire, spoofs and impersonations of public figures — including McPhail's famous caricature of PM Robert 'Piggy' Muldoon.
In this episode of the Journeys in National Parks series, presenter Peter Hayden looks at the primeval, remote wilderness of Fiordland National Park. We learn of how the god Tu-te-raki-whanoa crafted the fiords out of sheer cliffs with his adze, "so the sea might run in and there'd be quiet places for people to live". On boats and along the Milford Track, Hayden traces the "memory trails" of the few who have braved the area: Māori pounamu collectors, sealers, cray fishermen, early naturalists Georg and Johann Forster, and pioneering conservationist Richard Henry.
In this series celebrating New Zealand's national parks, Peter Hayden travels through some of Aotearoa's most awe-inspiring environments. This episode — looking at the unique spiritual relationship between the Tūhoe people, and the birds and bush of Te Urewera National Park — was directed by Barry Barclay (Ngati). Barclay used his fourth cinema philosophy of indigenous filmmaking, "to tell the contemporary story of the park through their [Tūhoe] eyes". The film attracted controversy for its then exceptional use of te reo. Catherine Bisley writes about the Journeys series here.
In this episode of the Journeys series, Peter Hayden travels west to east across two national parks and some of New Zealand's most sublime landscapes: from giant, ancient kahikatea forest to hotpools and creaking glaciers. Reflections by ecologist Geoff Park (author of Ngā Uruora) on the coast-to-mountains forest, and the exploits of early surveyor Charlie 'Explorer' Douglas are woven through Hayden's journey, ending with Hayden's personal highlight of the series: climbing Hochstetter Dome with the legendary mountaineer (and Edmund Hillary mentor) Harry Ayres.