This short Loading Docs documentary from 2017 follows conservationist Corey Mosen as he heads into the forest with a special canine — his border collie cross Ajax. The pair play a vital role in the mission to ensure the survival of the kea, the world’s only mountain parrot. Despite being one of the world’s most resourceful and intelligent birds, kea are under threat (eg from predation), with as few as 2000 left in the wild. Corey and Ajax locate kea nests in the steep alpine forest and spread awareness of a bird that Mosen reckons is pretty "neat and special".
This Wild South edition joins two legendary New Zealand wildlife documentarians — photographer Geoff Moon and sound recordist John Kendrick — on a 1988 trip to Kāpiti Island. Rangers are learning about, and looking after, the sanctuary’s manu (birds), who are “biological refugees” from the mainland, escaping introduced predators. Dogs monitoring kiwi, a kākā census, and tīeke (saddleback) nest boxes are featured. The two old mates narrate the visit, which includes Moon building a bush hide, and footage of a pioneering 1964 tīeke relocation from Hen Island.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
This full-length documentary looks at the grim reality of our fast-disappearing national symbol, and the efforts of people passionate about saving it. Remarkable facts about the evolutionary oddity are framed by the point that “the nation which laments that the moa was wiped out is committing the same crime against the kiwi”. The film raises the unsettling question: do we want the stoat or kiwi as our national icon? It also makes a compelling call to action to save a unique taonga, which could be extinct from the mainland in 20 years.
Flightless and nocturnal, the kākāpō is the world's heaviest parrot. By the 1970s the mysterious, moss-coloured bird was facing extinction, "evicted" to Fiordland mountains and Stewart Island by stoats and cats. Thanks to innovative night vision equipment, this film captured for the first time the bird's idiosyncratic courtship rituals, and the first chick found in a century. Marking the directing debut of NHNZ veteran Rod Morris, it screened in the Feltex Award-winning second season of Wild South, and won acclaim at the 1984 International Wildlife Film Festival.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.
This popular reality series follows the lives of dogs and their handlers, who work for the Departments of Conservation and Corrections, plus the Police, Civil Aviation and Search and Rescue. The canine squads help protect Kiwi streets, prisons, borders and mountains. Made for TVNZ by Cream Media and then Greenstone TV, nine series had been made up until 2018. Dog Squad also screens in Australia on Channel 7 (under the title Dog Patrol). Dominion Post writer Jane Clifton praised the show's “doggy-adorableness factor” and the “sheer novelty of the situations encountered.”
Raoul Island is nearly 1000 kilometres northeast of New Zealand. For this Christmas Day 1988 report, TV One's Kurt Sanders paid a visit to the four-person NZ meteorological team serving there (plus Smelly the dog — “the unchallenged King of the Kermadecs”). Sanders follows future One News weather presenter Karen Olsen (then Karen Fisher) as she milks the cow, and heads through the nikau to take readings in the crater of Raoul’s active volcano. The uniquely-evolved island is now the Department of Conservation's most remote reserve.
Nicola Castle began her career as an editor, achieving recognition at the 2011 NZ Television awards for cutting award-winners The Green Chain and Whare Taonga. In 2015 she directed short film Madness Made Me for online series Loading Docs, about a woman's time in a mental hospital. Castle splits her time between Auckland and Melbourne, and holds a Masters in Screen Production from Auckland University.
Producer Julia Parnell’s CV boasts a diverse range of credits — from comedy (Wayne Anderson: Singer of Songs) to sport (Wilbur: The King in the Ring), music (The Chills - The Triumph & Tragedy of Martin Phillipps) and te ao Māori (Restoring Hope). Parnell’s production company Notable Pictures is behind a run of award-winning short films (Dive, Friday Tigers), plus long-running mini-documentary series Loading Docs.