This 1981 Koha documentary, 'No Ordinary Bloke' — poet Hone Tuwhare — reflects on his life and influences in a wide-ranging interview by Selwyn Muru. He recites poems and is shown walking around his Dunedin haunts, where he was living at the time. Tuwhare recounts his early life as a railway workshop apprentice and tells of the workshop library that opened his eyes to the world. Later he’s shown with mate and artist Ralph Hotere and discusses, with emotion, the nature of Māori relationships with the land in light of the then-proposed Aramoana aluminium smelter.
Geoff Murphy was the trumpet player who got Kiwis yelling in the movie aisles. His 1981 road movie Goodbye Pork Pie was the first big hit of the Kiwi film renaissance. He completed an impressive triple punch with the epic Utu, and Bruno Lawrence alone on earth classic The Quiet Earth. From early student heists to Edgar Allen Poe, this collection pays tribute to the late, great, laconic wild man of Kiwi film. Plus read background pieces written in 2013 by cinematographer Alun Bollinger, friend Roger Donaldson, writer Dominic Corry and early partner in crime Derek Morton.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
Adapted from one of Katherine Mansfield's best known short stories, this restrained culture-clash-in-colonial-Wellington tale follows Laura (Alison Routledge from The Quiet Earth), an idealistic teen preparing for her family's garden party. The raising of marques and arrangement of cream puffs and canna lilies is disrupted by news of a neighbour's accidental death. Laura protests that the party should be cancelled, but her mother disagrees. A visitation at the working man's cottage down the hill and an encounter with the victim’s corpse piques Laura's class consciousness.
From The Governor to The Lord of the Rings, Martyn Sanderson's distinctive voice and sideburns were part of New Zealand's screen landscape for three decades. His work ranged from the experimental to the mainstream, including directing feature films (Flying Fox in a Freedom Tree) and personal documentaries.
Fran Walsh is an Academy Award-winning screenwriter, film producer and musician. She has collaborated with her partner Peter Jackson on all his films since Meet the Feebles (1989), and was nominated for her first Oscar after co-writing Heavenly Creatures (1994). In 2004, Walsh shared three Oscar wins for her work on the final episode of the Lord of the Rings.
Filmmaker and artist Gaylene Barnes has used her grab bag of skills on film sets, in editing suites, and as a painter and multi-media artist. Nominated for awards as both a production designer and an editor, Barnes has also directed everything from Hunger for the Wild to documentaries and animated shorts.
Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. Starting at government filmmaking body the Natonal Film Unit, the part-Kiwi, part-American dlrector worked in documentary — including helming the controversial Birth with Dr. R.D. Laing — before making a run of feature films and TV movies, both in New Zealand and North America.
Ken Blackburn, MNZM, is a familiar face on New Zealand stage and screen. In a career spanning 50+ years he's appeared in iconic television shows (Gliding On, Shortland Street) and films — including a lead role in 1978 feature Skin Deep. Blackburn was awarded a New Zealand Order of Merit in 2005; in 2017 he received the a Lifetime Achievement award, acknowledging long-serving local actors.
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six season saga of the Westie dynasty. Hugely popular (beloved by public, critics and awards givers alike), Outrageous Fortune was a flag-bearer for TV3 and New Zealand television drama. The series proved — in all its grow-your-own glory — that television in Aotearoa could mield comedy and drama, and be so much more than overseas stories pasted to a local setting.