According to One Network News newsreader Tom Bradley, “New Zealand’s best hope for a prize” at Cannes in 1995 is Sam Neill and Judy Rymer's documentary Cinema of Unease. Neill’s personal history of Kiwi movies made its debut in the festival’s official competition. Mark Sainsbury reports from Cannes (where the awards haven’t yet been announced, but the film has won rave reviews) and interviews Neill – who reckons Kiwi film has come of age, but needs government support. He also meets Gaylene Preston, who talks sex during wartime, while promoting her documentary War Stories.
This episode of Asia Downunder takes a look at the Chinese New Year. In the first segment, ‘Year of the Ox’, host Ling Ling Liang looks at how people born in this year are said to be strong and determined. She also examines traditional illustrations of oxen, and talks to the designers behind the NZ Post stamp series for the Year of the Ox. In the Lanterns for Sale segment, roving reporter Bharat Jamnadas visits the 10th annual Lantern Festival in Auckland's Albert Park, and talks to Barry Wah Lee, from longtime Asian goods emporium Wah Lees.
Reporter Paul Hobbs joins the Kiwis congregating at the Cannes Film Festival for this 2004 One Network News report. Hobbs is on the French Riviera to hear about two of the most expensive New Zealand stories yet to win funding: historical drama River Queen and vampire tale Perfect Creature. Hobbs hints at budgets north of $20 million. Among the Kiwis talking things up are NZ Film Commission Chief Executive Ruth Harley, River Queen investor Eric Watson, and director Roger Donaldson. Cliff Curtis pops by, and Fat Freddy's Drop lay down some party tunes.
The three day Nambassa Festival, held on a Waihi farm in 1979, is the subject of this documentary. Attended by 60,000 people, it represented a high tide mark in Aotearoa for the Woodstock vision of a music festival as a counterculture celebration of music, crafts, alternative lifestyles and all things hippy. Performers include a frenzied Split Enz, The Plague (wearing paint), Limbs dancers, a yodelling John Hore-Grenell and prog rockers Schtung. The only downers are overzealous policing, and weather which discourages too much communing with nature after the first day.
Parachute had become New Zealand’s longest-running music festival when it shut up shop in 2014, after an impressive 24 years. This clip from youth news show Flipside looks at the 2004 edition. Flipside presenter Mike Puru interviews Parachute Music Festival founder Mark de Jong. Focussing on Christian music, Parachute brought Christian musicians to a large young audience. De Jong mentions that Parachute is more than just a festival — the organisation helps train and record young musicians, and includes a label and a publishing company. Band Detour 180 are also interviewed.
This 1986 Kaleidoscope excerpt visits the world’s premier film festival. Reporter and future Once Were Warriors producer Robin Scholes begins with the official competition – where two years before Vigil vied for the top prize, the Palme d’Or – then focuses on Kiwi films being promoted in the marketplace. She interviews the NZ Film Commission's Lindsay Shelton (selling Arriving Tuesday); Dorothee Pinfold (Dangerous Orphans), asks producer Larry Parr (Bridge to Nowhere) if Kiwi films can survive without tax breaks, and chats to Challenge Films' Henry Fownes and Paul Davis.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Music festivals aren’t all counterculture, mud and hangovers. As this collection can attest, there’s also flying missiles (including a tomato), fire poi and unpaid performers. And, of course, the music! AudioCulture, our sister site, can give you the complete lowdown on all the festivals (see Links), but watch them here: from Aotearoa’s very own Woodstock — Redwood 70 — to the groove of The Gathering. Follow Shapeshifter’s journey to Gisborne’s hot ticket, Rhythm and Vines, and see Courtney Love give Newsboy the glad eye at 1999's Big Day Out.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.