Heartland - Stewart Island

Television, 1991 (Full Length Episode)

In this full-length Heartland episode, Gary McCormick travels to New Zealand's southernmost community: the town of Oban on Stewart Island's Half Moon Bay. Another gently discursive ramble through time and geography is held together by a focus on the island's annual Festival of The Sea, and appearances by a range of locals from fishermen to conservationists. The highlight of this marine mardi gras is the drag competition ‘Miss Catch of the Day', where hairy blokes dress like sheilas and walk on stage. Thankfully Gary keeps his pants on.

South - First Episode

Television, 2009 (Full Length Episode)

Host Marcus Lush called this 2009 series a "love letter" to the characters and stories of the south. In this first episode he sleeps over on Dog Island (where he learns a lighthouse doesn’t have curved beds). Then it’s down to Stewart Island to join "Robin’s teepee cult" and meet Mason Bay whānau, and back to the Aucklander's adopted hometown of Bluff to chat with artistic beachcombers. South continued JAM TV’s winning collaboration with Lush (Off the Rails, ICE). At the 2010 Qantas Awards, the series collected gongs for best presenter and for director Melanie Rakena.

Captain's Log - Episode Four

Television, 2001 (Full Length Episode)

This fourth episode of Captain’s Log sees host Peter Elliott journeying around the bottom of the South Island, tracing the end of James Cook’s first journey around New Zealand. The precarious Otago Harbour is navigated in an oil tanker, before a much smaller boat takes Elliott around the bottom of Stewart Island to Fiordland, where his captain Lance Shaw describes major conservation efforts in the area. A trip up the treacherous West Coast in a concrete carrier is cause for nerves, then a sail aboard Spirit of New Zealand offers a chance to reflect on the journey.

Bert Bridgman

Camera

Remembered by his colleagues as “the leader in capturing New Zealand scenery on film from 1923 to 1954”, Bert Bridgman began his career as a cameraman in the days of silent film, and later directed the Centennial film One Hundred Crowded Years. He served as a war correspondent in the Pacific for the National Film Unit and was chief colour cameraman at the time of his death.