This raw and rowdy video gives a fleeting insight into the all-too-short life of Darcy Clay. Recorded on a primitive four-track tape machine, 'Jesus I Was Evil' was a demented fusion of country and garage rock that, combined with Clay's fetching Evel Knievel-style onesies, heralded the arrival of an eccentric new voice. Darcy's school friend David Gunson agreed to shoot the video for a few hundred dollars and a bottle of whisky — editor Ian Bennett ended up getting the whisky. The wry humour and energy captured in the video stands as a fitting testament to his subject.
The Datsuns came roaring out of Cambridge in 2000 with a hybrid of heavy metal and garage rock that quickly earned them international attention, and a major label deal. For this single from their self-titled debut album, they acquired the services of English music video director Robert Hales (who had worked with Stone Temple Pilots and Nine Inch Nails). For this black and white, live performance video, Hales lets the band’s music and their swaggering energy do the talking (with plenty of slow motion shots to accentuate those long flowing locks).
“Bam bam bam, I wanna thank you Ma'am.” The D4 and The Datsuns led the Kiwi contribution to a turn of the century garage rock revival, winning nods from NME in the UK and praise for their energetic live gigs. This single from their first EP The D4 (1999) was released by Flying Nun. Directed by Andrew Moore, the video throws an FX kit of tricks (blurred focus, reverse negative, exploding lava cutaways) at the boys in order to capture the rock-out grunt of the song.
Like kids in a candy store, The Electric Confectionaires know no boundaries when it comes to making music. The Auckland four-piece stamped their mark while students at Takapuna Grammar, winning the 2005 secondary schools Rockquest competition with their eclectic all-sorts mix of rock, garage, blues and jazz. They became known as 'the band to watch' and their 2007 debut album Sweet Tooth, delivered on expectations with winning Beach-Boy-quality harmonies and bubblegum hooks.
Rockers D4 were signed to Flying Nun in 1999, a year after making their mark as a pulsating live act playing at the now legendary Frisbee Leisure Lounge parties. Led by Jimmy Christmas (now frontman for Luger Boa), the Auckland 'garage punk' rockers began making waves overseas when they scored a slot at the famed SXSW Music Festival in Texas in 2002. NME raved about their debut album 6Twenty: "Primordial and fun [it is] one of the great, grubby milestones of the current garage renaissance". The band announced they were taking "time out" in 2006, having released two albums.
Indie rockers PanAm took off playing Nirvana and Black Sabbath covers in a West Auckland high school band, before unleashing their own thrash-garage neo-punk sound in the late 90s. The power trio were quickly snapped up by label Flying Nun label and released 2002 EP New Concepts in Sound Recording. It was followed a year later by a self-titled debut album, described as "kick ass rock 'n' roll that raised the ghost of Kurt Cobain". After changes in line-up PanAm relocated to Australia in 2004, but soon called it a day.
“The Barrier’s a hard country, but a very pretty country. Everybody who’s moved out here are individuals.” This presenter-free item from magazine show Weekend heads to the Hauraki Gulf outpost, to meet some rugged individuals. The show travels the unsealed roads (circa 1988) to encounter Hank the motelier, a rock painter, and a pig rider; and drops in to the post office, golf club, and garage barber — plus a hall where rugby, horses and beer are on the dance floor. Weekend won Listener awards for Best Factual series for three years running.
Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.
Cliff Curtis alternates a busy diet of acting in the United States (where he's forged a reputation as the actor to call on, for roles of varied ethnicity) with smaller scale New Zealand projects — including co-producing Taika Waititi smash Boy. His CV of Kiwi classics includes playing Pai's father in Whale Rider, Uncle Bully on Once Were Warriors, and bipolar chess champion Genesis Potini in The Dark Horse.
Auckland-raised Scott Flyger got his first big editing break on high profile documentary Rubber Gloves or Green Fingers, and went on to spend 12 years in London, where he cut a range of high profile dramas, comedies and documentaries. Now based in Christchurch, Flyger runs postproduction house Due South Films.