NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here.
In this 2011 Jam TV series, reporter Hadyn Jones motors around Aotearoa in a 1966 Ford Falcon and caravan to meet the locals. He starts his engine in Dargaville, where he meets mechanic Ken, who gets the 'blue beast' going; Ange, a mother of three who got a burnout car for her wedding anniversary; he chats with axe-man Jason Wynyard at the Arapohue A&P Show; plus a heap of Dalmatian Kiwis. Critic Karl du Fresne rated the series appointment viewing, with Jones possessing a "rare knack of being able to make them [interviewees] relax and reveal themselves on camera."
Made by the NZ Broadcasting Corporation in the mid 1960s, this half hour TV documentary sets out to summarise New Zealand. More than a promotional video, it takes a wider view, examining both the country’s points of pride and some of its troubles. In a brief appearance Barry Crump kills a pig, although the narration is quick to point out that the ‘good keen man’ image he epitomises is also a root of the country’s problem alcohol consumption. The result is patriotic, but certainly not uncritical. Writer Tony Isaac went on to make landmark bicultural dramas Pukemanu and The Governor.
This edition of TV2’s Sunday documentary slot explores the life of “pioneer woman” Lukre Martinovich. Martinovich departed the Dalmatian coast for New Zealand in 1907, as a 21-year-old mail-order bride. She recounts experiences starting a family of 12, while scraping kauri gum in Northland’s ‘black swamp’. A visit to Otamatea Kauri Museum spurs memories, and some of her 160 descendants gather at Ruawai Bowling Club to celebrate her birthday. Dancing stops for Lukre (also known as Lucy) to follow a punt on the races on the radio, with the local priest on hand as support.
The first leg of Peter Hayden’s journey across latitude 45 south takes him across the Waitaki Plains and up to Danseys Pass. He visits the site of a moa butchery and the sunken circular umuti (cabbage tree ovens) of early Māori. Guided by colonial literature, he visits New Zealand’s tallest tree (a eucalypt, which he finds horizontal). Drought busting desperation of 1889 and the provenance of Corriedale sheep is also covered. In a riparian side trip, Hayden heads up the Maerewhenua River where gold miners succeeded only in ravaging the landscape.
In TVNZ’s Journeys Across Latitude 45 South, writer and presenter Peter Hayden traverses east to west from Otago’s Waitaki Plains to George Sound in Fiordland. Hayden walks, hitches, cycles, paddles a mōkihi (a traditional Māori canoe made of reeds) and white water rafts along the 45 south line. Along the way he builds a social, industrial and natural history of latitude 45 south. From the lonely wilds of Fiordland to the tourist Mecca Queenstown, Hayden encounters the quixotic and gruff, and pioneer species of the past, present in a changing world.
Author Maurice Shadbolt went before the cameras to play father to the main character, in this adaptation of his acclaimed coming of age novel. Teen Nick (Paul O’Shea) is estranged from his family, and blaming himself for his Māori mate's climbing death. He runs away to his straight talking grandfather (Derek Hardwick) — who takes him bush — and loses his virginity to Sally (a first film role for Rebecca Gibney). Produced by Pacific Films legend John O’Shea, the NZ-German co-production was directed by Rolf Hädrich (Stop Train 349). The film debuted in NZ on television.
Made for the Post Office, this 1971 National Film Unit documentary offers a potted history of New Zealand, using postage stamps as the frame. Director David Sims ranges from Māori rock drawings, to Tasman and Cook. Once Pākehā settlers arrive, the film offers a narrative of progress (aside from two world wars) leading to nationhood and industry. Archive photographs, paintings, Edwardian-era scenes and reenactments add to the subjects illustrated on the stamps. The stamps include New Zealand’s first: a full-face portrait of Queen Victoria by Alfred Edward Chalon.
The Adventure World TV series saw Sir Ed lead an A-Team of mates on a run of adventures. The concept was dreamt up by Bob Harvey, who enlisted Roger Donaldson to direct The Kaipo Wall and an (unproduced) Everest trip. Sir Ed and his climbing mate Mike Gill then went DIY and made two half hour films. This mission to climb The Needles — a rock stack off Great Barrier Island — was the first. Peter Mulgrew sails them over, Murray Jones goes parkour on the rocks and scales a kauri, Graeme Dingle surfs a dingy, and Sir Ed is the self-described “peppery co-ordinator”.
An old woman (Olive Bracey) recounts to her nephew (actor Martyn Sanderson) memories of her life in Hokianga. The film is a mix of personal return journey for Sanderson and an affectionate record of his spirited aunt (she's "the one who ate wheatgerm" in the family). Autumn Fires mixes conversations, photos, and dramatisations of romantic letters. Sanderson rambles on the farm, picks mussels in bull kelp sandals, muses on industrial agriculture and on the "unambitious peaceful life". Directed by Barry Barclay, the elegiac film screened in TV1's Scene series.