"These mountains have always been a challenge. Now there's a new type of skier facing that challenge in a new way." Across the Main Divide follows NZ mountain guide Shaun Norman, US telemark skiing champ Whitney Thurlow and German skier Babette Bodenstein, as they cross the Southern Alps in free heel skis. Flown up the Tasman Glacier from Mount Cook, a 2,000m haul up to Graham Saddle is rewarded with sweet spring snow skiing and cheesecake at Alma Hut, before the tramp down to the West Coast. The doco screened worldwide and won awards at mountain film festivals.
This jaunty early National Film Unit film promotes the alpine scenery of Aoraki/Mt Cook National Park and its recreational opportunities. It includes slalom at the 1946 New Zealand ski champs, ice-skating at Lake Tekapo, comic pratfalls in the snow, a mass snow-fight and ... landscape painting. Dancing at the Hermitage Hotel is "a good way to loosen the muscles after skiing". As well as human interest, the film features the expected majestic mountains, glaciers, and avalanches, as well as curious kea at Ball Hut, and amusing dogs in snow-glasses.
This 1972 National Film Unit production promotes New Zealand’s national parks, from the oldest — Tongariro (established in 1887) — to Mt Aspiring (1964). Besides slatherings of scenic splendour, the film shows rangers clearing tracks, 70s après ski activity on Ruapehu, and school children at Rotoiti Youth Lodge: skylarking, river crossing, and cornflake eating en masse. When this film was made there were 10 National Parks (there are now 14). “In all their variety they’re the heritage of everyone who’s heard the call and felt the freedom of the unspoilt land.”
This National Film Unit documentary shows the NZ contingent training in the Aoraki Mount Cook area for their mission to Antarctica, as part of the Commonwealth Trans-Antarctic Expedition. On the Tasman Glacier, they practise polar survival techniques, huskies are put through their paces and an RNZAF ski plane dramatically flips before a blizzard blows in, and some classic Kiwi DIY repairs are required on the ice runway. Team leader Sir Edmund Hillary narrates in laconic style. Cameraman Derek Wright went on to chronicle Sir Ed’s famous tractor dash to the pole.
This 1952 tourism film promoted New Zealand as a destination to Australians. In the 1950s the Kiwi tourist industry lacked accommodation and investment. But new opportunities were offered by international air travel — like the Melbourne to Christchurch route shown here, flown by TEAL (which later became Air New Zealand). Produced by the National Film Unit, this promo touts the South Island as an antidote to crowded city life in Melbourne and Sydney. Road trips offer glaciers, lakes, snow sports, motoring, angling, racing, and scenic delight aplenty.
This National Film Unit dramatised doco was boosterism for postwar immigration to New Zealand. Three Brits (Margaret, Cassie, Harry) travel and settle down under and the film records their hopes, jobs (nurse, factory worker, engineer), challenges (accents, 'casual' work ethic, locals wary of the ‘Poms’) and adventures in the new country (tramping, skiing, milk bars, the races, romance). Partaking in a glacier rescue raises Harry's spirits and assimilates him with the blokes. The film was released theatrically in the UK, and was scored by Douglas Lilburn.
Made for the 75th anniversary of the Tourist and Publicity Department, this National Film Unit short film surveys New Zealand tourism: from shifts in transport and accommodation, to how Aotearoa is marketed. The "romantic outpost of Empire" seen in 1930s promotional films gives way to a more relaxed, even saucy pitch, emphasising an uncrowded, fun destination. Middle-earth is not yet on the horizon; instead Wind in the Willows provides literary inspiration. Directed by Hugh Macdonald (This is New Zealand), it screened alongside Bugsy Malone and won a Belgian tourist festival award.
After bad weather curtailed an ambitious film about Mount Aspiring in 1949, Brian Brake returned to the Southern Alps the following year to shoot Mount Cook — the first NFU film to feature Brake's mountain imagery in glorious blue and white colour. The wait was worth it: the longtime mountain-lover coaxes a succession of breathtaking images of the cloud-piercing mountain — plus a rollicking snow fight scene. The plot, what there is of it, centres on some skiers wandering closer to Aoraki/Mt Cook to get a better look, then demonstrating the joys of descent.
This 1963 film looks at how the development of high country aviation is taking on the challenges presented by the South Island’s rugged geography. Piloted by war veterans, small aircraft parachute supplies into remote locations for Forest Service hut building and service lighthouses. Meanwhile helicopters and airlines open up opportunities for industry (venison, tourism, forestry, topdressing) and recreation (fishing, hunting). Good keen men, smokos and Swannies abound in this classically-filmed National Film Unit documentary.
"The story of a four-day journey from Westland to Canterbury, across the Southern Alps." Narration from the four climbers accompanies spectacular alpine imagery in this classic NFU film. In crevasse country they rope up and climb to "half way across the frozen roof of New Zealand" and share a can of tinned pineapple as reward. At Malte Brun Hut they meet Sir Edmund Hillary, Murray Ellis and Harry Ayres, and they descend together down the Tasman Glacier. Ayres reflects on the Alps as training ground for famous polar and Everest expeditions.