This documentary offers a glimpse into the life, art, and inimitable cheeky-as-a-kaka style of late Kiwi poet, Hone Tuwhare. In the Gaylene Preston-directed film, the man with "the big rubber face" (cheers Glenn Colquhoun) is observed at home, and travelling the country reading his work; polishing a new love poem; visiting old drinking haunts; reading to a hall full of entranced students; and expounding his distinctive views on everything from The Bible to Karl Marx's love life. He reads some of his best-known poems, including Rain and No Ordinary Sun.

This 1981 Koha documentary, 'No Ordinary Bloke' — poet Hone Tuwhare — reflects on his life and influences in a wide-ranging interview by Selwyn Muru. He recites poems and is shown walking around his Dunedin haunts, where he was living at the time. Tuwhare recounts his early life as a railway workshop apprentice and tells of the workshop library that opened his eyes to the world. Later he’s shown with mate and artist Ralph Hotere and discusses, with emotion, the nature of Māori relationships with the land in light of the then-proposed Aramoana aluminium smelter.

Poet Hone Tuwhare was born in the far north, near Kaikohe, but forced by poverty to leave as a child. "75 years after Hone Glenn Colquhoun (doctor, poet, Tuwhare fan) wrote a poem in the Listener inviting him back." Hone accepted the invitation and this documentary is a record of his March 2002 Hokianga homecoming, taking in song, readings and plenty of laughs and kai moana. Silver-haired Tuwhare is irresistible, crooning Sinatra, charming school children with bawdy jokes or channelling the fire of his most famous poem: "For this is no mere axe to blunt!"

This Review episode from 1973 offers an interview with Hone Tuwhare — then 51 years old — at the Māori Writers' and Artists' Conference at Tukaki Marae, in the town of Te Kaha. One of New Zealand’s best-loved and lauded poets, Tuwhare speaks of various influences, including sex, religion, trade unionism and communism. Poet Rowley Habib sits alongside Hone in the interview, and occasionally contributes to the conversation. This documentary also features a poetry reading from Dunedin's Globe Theatre.

This collection celebrates New Zealand's rich history in poetry, with documentaries on some of the country's finest poets — including Allen Curnow, Denis Glover, Sam Hunt, James K Baxter, Cilla McQueen and Hone Tuwhare. Tuwhare turns up in multiple titles, from 1975 interview Review - Hone Tuwhare to Gaylene Preston's 2005 documentary. Meanwhile Sam Hunt and Gary McCormick hit the road in 1980’s Artists Prepare, then 15 years later in The Roaring 40's Tour — when the ache of descending middle age is upon them. 

The final episode in Series One of The Big Art Trip starts in Dunedin. Hosts Douglas Lloyd-Jenkins and Nick Ward explore found art and ceramic sculptures with artist Jim Cooper and visit jewellery artists Ann Culy and Rainer Beneke, before heading to the Kaka Point home of poet Hone Tuwhare (where he lived until his death in 2008). They head to Invercargill to meet classical singer Deborah Wai Kapohe, who takes them op-shopping and performs her original folk songs. Last stop is Cosy Nook in Southland where they meet painter Nigel Brown.

This 2001 Mercury Lane episode is based around pieces on author Maurice Shadbolt, and OMC producer Alan Jansson. With Shadbolt ailing from Alzheimer’s, Michelle Bracey surveys his life as an “unauthorised author” (Shadbolt would die in 2004). Next Colin Hogg reveals Jansson as the “invisible pop star” behind OMC hit ‘How Bizarre’ and more. The show is bookended by readings from Kiwi poets: Hone Tuwhare riffs on Miles Davis, Fleur Adcock reads the saucy Bed and Breakfast, and Alistair Te Ariki Campbell mourns a brother who fought for the Māori Battalion.

This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.

A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.