This NFU production covers the Shah of Iran’s first tour downunder, and uses the occasion to showcase New Zealand to international viewers: from scenery to topdressing, dental clinics and Wellington Girls’ College. The four day visit could be seen as a symbol of globalisation: NZ had been cut adrift by Britain and was looking for markets for its lamb, cheese and wool, and to secure oil supplies. The Shah needed food for his modernising petroleum exporting country. (The booming trade was to be curtailed by the 1979 Iranian Revolution, when the Shah was exiled.)
This animated promo was one of a series that ran from 1966 to help communicate New Zealand’s shift to decimal currency. The existing imperial system divided pounds into 20 shillings and 240 pence, and required working out the fractions. In 1963 it was decided to ‘decimalise’ to make things simpler. ‘Mr Dollar’ was the icon of the change, and here, with the help of a Dad joke, he introduces the notes and coins, and the changeover date. Mr Dollar — plus 27 million banknotes and 165 million coins — officially marched into town on 10 July 1967.
The Mainland Touch was a popular regional news magazine programme broadcast from Christchurch between 1980 until 1990. In excerpts here, Christchurch Botanic Gardens welcomes the arrival of spring with a daffodil festival while local gardening groups prepare a floral carpet. The Wizard of Christchurch battles Telecom over the colour of phone boxes and joins opponents of a proposed restaurant tower in Victoria Square. Punting on the Avon is extended, and a cockatoo hitches a ride in the garden city.
In her second series of culinary globetrotting, chef and author Peta Mathias visits Beijing to explore the food of Northern China. She finds a cuisine shaped by harsh winters and scorching summers — and influenced by Mongol invaders and centuries of imperial dynasties (but Mao’s heyday is only glimpsed in a theme restaurant run by an American). A night market offers delicacies including locusts, scorpions, cockroaches and silkworms, and Peta investigates Peking Duck, the ubiquitous dumplings and just a few of the ways that duck eggs can be preserved.
This excerpt from the first episode of James Belich’s award-winning history of Māori vs Pākehā armed conflict looks at growing Māori resentment, after the signing of the Treaty of Waitangi. The focus is on Ngā Puhi chief Hōne Heke, who sees few concessions to partnership. He is especially incensed by the refusal of the British to fly a Māori flag alongside the Union Jack. His celebrated acts of civil disobedience directed at this symbol of imperial rule flying over Kororāreka (now Russell) lead to the outbreak of war in the north.
Kathleen Mantel began directing television documentaries in the late 90s. Since then she has won awards in the United States for Kiwi-made docos on problem gambling (It's Not a Game), teenage pregnancy (KIDS) and the Exclusive Brethren (Leaving the Exclusive Brethren). In 2012 her doco The Green Chain won the NZ Television Award for Best Popular Documentary.
Arthur Everard spent almost two decades making films for the National Film Unit, including directing award-winning rugby short Score and joining the team behind Commonwealth Games doco Games ’74. In 1984, Everard became New Zealand’s Chief Film Censor, a position he held for six years.
When television's nightly news finally went nationwide in 1969, newsreader Dougal Stevenson was the person chosen to read the very first bulletin. Six years later, Stevenson and Bill McCarthy were given alternating command of Television One's 6.30 news slot. These days the beloved broadcaster, occasional actor and car fan presents regional show Dunedin Diary, back in the town where his TV career first began in 1964.
As an intrepid young cameraman for the National Film Unit, Don Oakley travelled to remote parts of New Zealand and brought to the screen scenes of the recently-rediscovered takahē, Opo the dolphin, and life in the backblocks. In a lengthy career, he also filmed in the studio and overseas, rising to be chief cameraman of the NFU.
A National Film Unit cameraman for 36 years, Brian Cross worked on a large number of films, ranging from royal tours and rugby tours to industrial progress in forestry and electricity transmission, some as cameraman and director. He is particularly remembered for his record of the maiden voyage of HMNZS. Otago, and for his many films of New Zealand railways.Image credit: Archives New Zealand, ref AAQT 6421 B18889