Janet Frame (1924 - 2004) is an icon of New Zealand literature and her international reputation rests on an original, "edge of the alphabet" use of language. She was twice rumoured to be short-listed for the Nobel Prize, and was acclaimed as "one of the great writers of our time" (San Francisco Chronicle). Her life and work have notably been translated to screen.
This excerpt from Holmes features a rare interview with author Janet Frame, filmed in 2000 to mark the release of Michael King's Frame biography, Wrestling with the Angel. Reporter John Sellwood visited Frame at her Dunedin home, along with King, who is also interviewed, and provides some valuable perspective on Frame's writing. Sellwood charmed Frame by playing the bagpipes, which reminded her of her father, but she is still a reluctant interviewee, who prefers to chat about lighter topics than reflect on her distinguished literary career.
This fresh, unhurried film is drawn from a substantial interview with renowned writer Janet Frame by Michael Noonan; filmed largely at at Frame’s then-home on Whangaparoa Peninsula. It was part of the Three New Zealanders series made to commemorate the 1975 International Year of Women — an early John Barnett production. The rare footage of Frame — here aged 50 — presents a confident writer in her prime, and negates any stereotypes about Frame's inarticulacy or shyness. Note: the segments from the programme dramatising some of Frame’s work are not included here.
Director and screenwriter Jane Campion became a Dame Companion of the New Zealand Order of Merit in the 2016 New Year's Honours. Campion was the first woman to win the grand prize at the Cannes Film Festival, in two different categories — short film (for Peel in 1986) and feature (The Piano in 19...
Celebrate the work of one of New Zealand's most renowned literary masters, Frank Sargeson, via this Spotlight collection: documentary Perfectly Frank (with biographer Michael King as guide); an adaptation of Old Man’s Story; and an excerpt from An Angel at My Table, in which Frank (played by Mart...
Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
Five years of NZ screen culture = 3,550,000 visits (now 110,000+ a month), a Qantas Media Award and 2,150+ titles. This collection honours our most-watched titles (to Oct 2013). Choose from Billy T to topless newsreaders, Snell to Patu!, Kimbra to Kea, meat pies to motorheads, Bob Jones biffo to Thingee’s eye pop, in this sampler pack of NZ On Screen goodness.
Historian Michael King's opus was a bridge between Māori and Pākehā; he turned Aotearoa's history into an unprecedented publishing bestseller. History Man traces King's own past, to understand the man and his passion for his work. This doco was commissioned only weeks before King and his wife were tragically killed in a car accident. Nevertheless it is a detailed portrait of a much loved and missed New Zealander. It is another collaboration from this producer/director team, whose subjects include Michael Houstoun, Ian Mune and Barry Crump.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.