This series was a mixed plate of reality television, cooking show and first stage anthropology. The (Kiwi) concept is simple: presenter Suzanne Paul invades a house with a camera crew, while restauranteur Varick Neilson cooks the inhabitants some dinner. This early episode features the under-stocked flat of a group of Auckland 20 somethings. When the week's mystery dinner guest turns out to be ‘New Zealand's sexiest man' (as voted repeatedly by TV Guide readers) Kevin Smith, the female flatmates applaud. 

"I get around. I know everything. Except your name." Kevin Smith made his television debut (in a speaking part) on this episode from the third series of Gloss, playing smirking DJ and man-about-town Damien Vermeer. Keen to rise above his working class origins, the character sets his sights on rich brat Chelsea Redfern within moments of meeting her. Smith left work at Christchurch's Court theatre for the role, when the decision was made to up the show's male quotient. Mikey Havoc also appears in this scene, as a member of his real-life band Push Push.

Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast. 

Shavaughn Ruakere presents her NZ On Screen Top Five, a special Spotlight collection where screen personalities pick their favourite titles on NZ On Screen. The former Shortland Street actress chooses the first episode of the soap (Guatemala, aerobics, n’all); along with a classic Christmas episo...

This Top 10 shows the screen icons from the decade of Springboks, sax and the sharemarket crash. The world champ All Blacks' jersey was loose, socks were red and shoulders were padded. On screens big and small Kiwis were reflected ... mullets n'all: from Bruno and the yellow mini, to Billy T's yellow towel, Karyn Hay's vowels, Poi-E, Gloss, Dog and more dogs showing off.

In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and the Government used force against its own citizens. Featuring interviews with many who were involved, this film tells the story of the infamous lockout of waterside workers, and the nationwide strike which followed. 1951 won Best Documentary at the 2002 New Zealand Television Awards, and John Bates was named Best Documentary Director. 

This episode in the Pioneer Women series dramatised the story of Hera Ngoungou. In 1874 in Taranaki, Māori kidnapped an eight-year-old Pākehā girl — Caroline “Queenie” Perrett — possibly in retribution for her father breaking a tapu. Her family didn’t see her again until she was 60, when she was a grandmother and had spent more than 50 years living with, and identifying as, Māori. A moving (Feltex award-winning) performance from Ginette McDonald (aka Lyn of Tawa) mixes stoicism with an acknowledgement of good times and a sense of loss for what might have been.

Debuting on 6 May 1991, this TV3 comedy show saw sketches tested out before a live (unseen) audience — and dropped from the episode if no one laughed. The performers were a mixture of rising standup comics (Jon Bridges) and theatre talents (Danny Mulheron, Carol Smith), plus late actors Kevin Smith and Peta Rutter. Producer Dave Gibson wanted to avoid satire and politics, in favour of the challenge of broad social comedy. Among the regular sketches were a pair of gormless skateboarders and ingratiating priest Phineas O’Diddle. Another season followed in 1992.

This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One and challenged the view that white male statesmen were the only noteworthy figures in NZ colonial history.