A jandal-shod journey through Kiwi pop culture. Kiwiana takes a light-hearted look at the fashion, art, architecture, attitudes, and icons (Buzzy Bees, Edmonds, Swanndri, Pavlova etc) we call our own. Directed by Shirley Horrocks, and shot by Leon Narbey, it featured personalities Gary McCormick, Ginette McDonald, John Clarke, Peter Jackson, and others. Screening at a time (1996) when New Zealanders were just beginning to appreciate these neglected everyday objects as ‘collectibles,' it rated highly, and inspired a sequel, Kiwi As.
New Zealand's beloved Goodnight Kiwi has been through a number of incarnations since debuting on South Pacific Television (later TV2), in the mid-70s. TVNZ, aware that many Kiwis still held "a tremendous affection" for the kiwi and his cat, commissioned three animated spots to mark the 2008 Christmas holiday season. Auckland animator Tim Hunt was given the job of updating the originals, while still retaining the hand-drawn, 2D look. Of the three clips, the one above most closely follows the original Goodnight Kiwi sign-off which ran for over a decade.
Director John Bates' 1993 documentary examines the life and work of photographer Robin Morrison, who captured iconic images of everyday New Zealand life and landscape. Part biography, part travelogue, the film goes on the road with Morrison to revisit some of his best-loved locations. Stunningly shot by Stuart Dryburgh (The Piano) before Morrison died on 12 March 1993, Sense of Place won Best Documentary at the 1994 New Zealand Film and Television awards, and a certificate of merit at the 37th San Francisco International Film Festival.
Created by Fiona Samuel, The Marching Girls follows a Taita social marching team who decide to have a crack at the North Island champs. In the first episode of this feminist-Flashdance-in-formation 80s classic, young whippersnapper Leonie tries to modernise the girls' routine by getting them to march to the heavy metal tunes of Ironlung ("they're really big in Australia!"). This proves too much for Mahara (Patupatu Ripley), who's got enough on her plate with her new role as hesitant union spokesperson for her fellow workers down at the factory.
This beautifully shot documentary is a social and architectural history of the great NZ bach (or crib, for those south of the Waitaki). Maggie Barry tracks their evolution from workers’ cottages to a fully fledged icon in danger of extinction: as the blind eye turned by councils that made them possible becomes a thing of the past, and the coastline becomes too valuable to allow ‘just anyone’ to erect a shack on it. The Kiwi spirit that created the building is celebrated. The bach enthusiasts interviewed include Sam Hunt, Keri Hulme, Karl Stead and Rawiri Paratene.
Popular consumer affairs show Fair Go is one of New Zealand TV's longest-running series. In this episode reporter Phil Vine investigates Pure Air Ventilation: a "slippery snake" with a string of unhappy customers from Thames to Tokoroa. As burnt customer Belinda Muir says "I hate being taken for an idiot!" A showdown with the touters ensues. There's a classic spoof from the Fair Go archives, looking at "lawn aerator sandals" and featuring Helen Clark, Peter Dunne, Ed Hillary and Spiderman endorsing the jandals-meets-crampons product. Contact Fair Go here.
The Marching Girls is the seven-part story of a Taita social marching team who decide to have a crack at the North Island Championships. This pioneering series was conceived by actor-writer Fiona Samuel out of frustration over the dearth of challenging female roles: she declared that it was about time the Kiwi "alienated macho dickhead" shared some screen time with women. Synth-rock soundtracks, ghetto blasters, Holden Kingswood taxis and chain-smoking abound in this feminist-Flashdance-in-formation 80s classic.
The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.
Kiwi icon Lyn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl-from-the-suburb's mission takes in the gamut of masculine mythology, from Man Alone to mateship, as Lyn provides manthropological reflections ("can a woman ever be a mate?"). Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers, students and gay ten-pin bowlers.
In this family-friendly feature, Santa (Finnish actor Kari Väänänen) does a runner to a beach in Aotearoa days before his big night of the year, fed up with bureaucracy and brats. It falls to two Kiwi kids to get him out of the southern sun, and back to global gift giving. Director Tony Simpson (Kiwi Flyer) pitches the North Pole native against Kiwi biosecurity and a bickering camping family (including Step Dave's Sia Trockenheim). Sunday Star Times critic James Croot praised the trio of writers for delivering "a rare 21st century effort that evokes the memory of the great kidult dramedies."