Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!

Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.

In this Attitude episode, 14-year-old Sean Prendeville faces up to a complex and radical surgery: rotationplasty. For the bone cancer survivor the operation involves attaching his lower leg to the hip joint, rotating it and using the ankle as a ‘hinge’ for a prosthetic limb. The programme tracks the nature-mad Sean’s journey, from pre-surgery anxiety to rehab on his backwards right foot/knee; and the things that helped him through: his blue tongue lizard, challenge beads, Mum and family, and design student Jessica Quinn (who underwent the procedure when she was younger).

Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.

This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lynn of Tawa.

In 1982 bad weather left Mark Inglis and Phil Doole trapped for 13 days in a crevasse, close to the summit of Aoraki/Mt Cook. No Mean Feat chronicles the path taken by Inglis since — from rescue, and the discovery he would lose his lower limbs, to his reinvention as research scientist, winemaker, and paralympic cyclist. In 2001 cameras followed Inglis back to Cook, where he attempted another climb using custom-designed prosthetic legs. Topped off by stunning aerial footage of Mt Cook, No Mean Feat won best documentary at the 2003 NZ TV Awards.

This episode from series five of Kete Aronui, a documentary series featuring Aotearoa's artists that screened on Māori Television, follows the careers of iconic contemporary dancers Taane Mete and Taiaroa Royal. For both, training at Te Whaea propelled them into their art, teaching them not only technique but also a way of life. Featuring footage of Royal dancing in Douglas Wright's Forever (1993), the excerpt also includes a dance class with Michael Parmenter, another dance great, and discussion of dance companies Limbs and Black Grace.

This showcase for Arthur Baysting's sleazy, comedic alter-ego Neville ("on the level") Purvis ("at your service") is notorious for containing the first use of the f-word on a New Zealand television show. As a result, Baysting was banned and crossed the Tasman to find work (an irony given the show's anti-Australian jokes). Surviving segments from the show include a launch by PM Rob Muldoon, a tour of Avalon, a performance by Limbs Dance Company (including Mary-Jane O'Reilly), a visit to the Close to Home set, an interview with a garden gnome fan, and some Mark II Zephyr worship.

In 1989 dancer Douglas Wright returned home to choreograph and form his own company. This half-hour TV documentary, marking the launch of his work Gloria, looks back on a blossoming career that began at 21 — when he took up ballet to overcome a heroin addiction. After becoming a star with Limbs, Wright joined prestigious troupes in London and New York. Now, as opening night looms, he is acutely aware of the danger of pushing his dancers too hard as he fights to get the best out of them on an ambitious, demanding piece. Douglas passed away in November 2018.

Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer/choreographer Mary Jane O'Reilly marks the launch of her new company Auckland Ballet. The founder of the celebrated Limbs Dance Company talks about still being involved in dance in her mid-40s, the formation of her new company, the similarities and differences between ballet and contemporary dance, and her move into making dance films. The item also features excerpts from some of O'Reilly's dance works.