This 1962 National Film Unit production is a comprehensive survey of the history and (then) state of Māori carving. Many taonga are filmed on display at Wellington’s Dominion Museum, and the design aspects of ‘whakairo’ are examined, from the spiral motif to the origin of iconic black, red and white colouring. Finding reviving tradition in new “community halls”, the film shows the building of Waiwhetu Marae in Lower Hutt in 1960, recording the processes behind woven tukutuku panels and kowhaiwhai patterns, as the tapping of mallets provides a percussive presence.
Rangi Hetet was only 17 years old when he began working as an apprentice, carving the Tāpeka meeting house. Six decades later, his life and work are examined in this documentary, as his children prepare to exhibit his work at the Dowse Art Museum alongside that of their mother, the late Erenora Puketapu-Hetet. The feature-length documentary also explores the art of whakairo (carving), and its cultural significance within Māori communities. Mo Te Iwi director Robin Greenberg's earlier film Tu Tangata: Weaving for the People (2000) was about Erenora and her Māori weaving.
Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
The enormous significance to Māori of marae, as places of belonging where ritual and culture can be preserved, is explored in this Pita Turei-directed documentary. Made in conjunction with the NZ Historic Places Trust, it chronicles the programme to restore marae buildings and taonga around the country — and the challenge of maintaining the tribal heritages expressed in them. As well as visiting some of NZ's oldest marae, one of the newest also features — Tapu Te Ranga, in Wellington’s Island Bay, which is being built from recycled demolition wood.
This episode of Koha episode looks at the milestone Te Māori exhibition of Māori art. The exhibition toured the United States in 1984, opened up a world of Māori taonga to international audiences, and returned home to applause and swelling Māori pride. The episode features the powhiri at the New York Metropolitan Museum of Art, with future Māori Party co-leader Pita Sharples leading a kapa haka performance. Koha - a weekly, 30 minute programme broadcast in English - was the first regular Māori programme shown in primetime, and provided a window into te ao Māori.
Regular Māori programmes started on TVNZ in 1980 with Koha, a weekly, 30 minute programme broadcast in English. It was the first regular Māori programme shown in primetime. This episode gets two unique perspectives on the milestone Te Māori exhibition of Māori art. It interviews "American tangata whenua": noted Iroquois artist Peter Jemison, and John Kaaho (Tuhoe), security guard for the exhibition at New York's Metropolitan Museum of Art. Te Māori toured the United States in 1984 and opened up a world of Māori taonga to international audiences.
The largest gathering ever seen of Māori tribal war canoes (waka taua) was one of the centrepieces of the 150th anniversary of the signing of the Treaty of Waitangi in 1990. This documentary, narrated by Tukuroirangi Morgan, followed the ambitious countrywide programme to build the ornately carved waka, and assemble them at Waitangi as a demonstration of Māori pride and unity. The 22 strong fleet, powered by 1000 paddlers, also fulfilled a dream of Tainui leader Princess Te Puea Herangi that had been curtailed 50 years earlier by World War II.
This episode of the Māori Television series looks at the place of the wharenui in Māori architecture. Rau Hoskins explores the origins and meaning of the structure, and looks at some iconic examples: a replica pataka being built in Hamilton Gardens; te hau ki turanga (the oldest surviving example of a wharenui) controversially taken by colonial forces, now displayed at museum Te Papa Tongarewa in Wellington; and Ngākau Māhaki at Auckland's Unitec — designed by master carver Lyonel Grant and replete with dashboard lights from 70s Holdens.
This magazine newsreel mixes buried treasure with a classic Brian Brake-shot performance piece. Opener 'The Long Poi' captures a poi dance. In 'The Buried Village' tourists examine fireballs and Māori stone carvings buried in the 1886 Tarawera eruption. The final piece showcases the talents of Kiwi pianist Richard Farrell and director Brian Brake. Brake's moody studio lighting and lively compositions frame this performance of a Chopin waltz. Farrell would die after a car accident in the United Kingdom in 1958 — the same month Brake won his first big spread in Life magazine.
Taaniko Nordstrom and her sister Vienna are the creative duo behind Soldiers Rd Portraits, who create customised vintage portraits for indigenous people and often work with Māori inmates, reconnecting them with their whakapapa. Wellington filmmaker Louise Pattinson directed and edited this short documentary for the Loading Docs series. She focuses on Soldiers Road working with a group of Māori teenagers trying to find their place in the world. The teenagers tell their stories through letters to tipuna (ancestors), traditional costumes and ta moko.