Michael Scott-Smith’s four decade career as a producer/director spanned everything from Compass and Close to Home to Crime Watch. In the 1970s he helped open the doors of television to many of the decade's emerging independent filmmakers. As head of drama for TV1, he oversaw a rush of new production — before stints in information programmes, and back at the production coal face.
Director Peter Coates pays tribute to the intelligence and wit of the world’s only mountain parrot in this Survey documentary; as a Christchurch Star review put it, "they must be the least camera-shy birds in creation". The kea’s antics are aided by Ian McDonald’s playful score, plus interviews with expert Dick Jackson, lecturer Les Cleveland, climber John Pascoe, a ranger, a tramper, and a farmer who describes hunting kea — now threatened and protected, but once the subject of a bounty after the opportunistic birds developed a taste for sheep sashimi.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
This 1973 film sees poet Alistair Te Ariki Campbell explore the history of Kāpiti Island — from being a stronghold for Māori chief Te Rauparaha, to whaling station and its present form as a bird sanctuary. The film chronicles Campbell’s first visit to the legendary motu, where he feeds a kākā parrot a date from his mouth, and witnesses a remarkable scene where a weka kills a Norway rat. With impressionistic sequences set to verse, director Peter Coates’ ‘poetic realisation’ of the island was called “a remarkable contribution to NZ television” by Listener critic David Weatherall.
This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.
This episode of The Deep End asks whether a navy captain has the skill set to direct television. Aided by Royal NZ Navy officer Peter Cozens, navy veteran Ian Bradley agrees to direct a teleplay starring an occasionally troublesome team of Kiwi actors. Bradley's mission had its roots in an earlier episode, where he forced normal Deep End host Bill Manson to walk the plank of the frigate HMNZS Waikato. The result is a rare behind the scenes glimpse into local TV production — and a chance to witness the grace under pressure of both Bradley, and veteran TV Production Assistant Dot LePine.
In this episode of anthology series A Twist in the Tale, two children visit a Devon estate and discover a barrel load of mysteries involving the story of King Arthur — including a hidden shrine, a soothsayer, and an excavation reaching its climactic stages. After being beckoned into the woods one day by a woman in white, young Aidan (Nicko Vella) finds himself being pulled towards the excavation site. But just what part is he meant to play? A Twist in the Tale was filmed in New Zealand, with William Shatner (Star Trek 's original Captain Kirk) introducing each story.
This 1973 TV drama is inspired by events which led to a major riot on the West Coast during the 1860s gold rush. After prospector Albert Hunt (Ron Burt) registers a gold claim near Ōkārito, he finds himself accompanied by hundreds of fellow miners — who refuse to let Hunt out of their sights, as he returns to the site via water-logged forests and beaches. The darkly poetic tale of what men can do after they smell gold was partly shot on location on the West Coast. The opening features Sam Neill and Close to Home veteran Tony Curran, among Hunt's fireside colleagues.
In the early 1970s expat broadcaster Michael Dean took Aotearoa’s pulse, as it loosened its necktie and moved from “ice-cream on mutton, swilled around in tea” conservatism, towards a more cosmopolitan outlook. Dean asks the intelligentsia (James K Baxter, Tim Shadbolt, Peter Cape, Shirley Smith, Bill Sutch, Ian Cross, Peter Beaven, Pat Hanly, Syd Jackson, Hana Te Hemara) for their take. The questions range from “what does the family in Tawa sit down to eat these days?” to the Māori renaissance. Dean had made his name in the 60s, as a high profile broadcaster with the BBC.
The Great Depression — the biggest social upheaval ever faced by New Zealand — is the subject of this very well-received three part NZBC drama series. Based on an award-winning script by Michael Noonan, The Longest Winter focuses on the experiences of politicians, the middle class family of a jewellery shop owner, a boot maker and an unemployed workers’ group. It examines the inter-related forces that combined in the early 30s to plunge New Zealand into some of its darkest days — and left the nation and many of its citizens scarred for decades after.