This wryly-titled 80s show was a homegrown take on US show That’s Incredible!, with the spectacular stunts and supernatural happenings of the original replaced with more downbeat kiwiana kitsch subjects. This excerpt from an end of season review looks at highlights from presenter Phil Keoghan’s contribution. The future Amazing Race host tries a spaghetti eating competition (post-bungy jumping), giraffe feeding, land sailing, snowboarding, male cheerleading, cow pat tossing and a cowboy up challenge. TFI was the first series from production company Communicado.
Dressed as a 1920's flapper bride, Karyn Hay introduces highlights from the TVNZ rock show’s televised concerts at the now demolished Mainstreet Cabaret on Auckland's Queen Street. The songs are Dance Exponents' 'All I Can Do' (with a sweaty Jordan Luck), an impassioned 'Billy Bold' from Graham Brazier's Legionnaires, Hip Singles' 'After the Party' (with snappy high kicks from Dick Driver), a brassy 'Outlook for Thursday' from Dave Dobbyn's DD Smash, a rocking 'Look the Other Way' from The Narcs and Coconut Rough's moment in the sun 'Sierra Leone'.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Cut from the thousands of titles available to view on NZ On Screen, this promo clip was put together for the occasion of the site’s 2015 redesign. Get a taste of the Kiwi screen magic made accessible to a million plus visitors a year, with a montage of iconic moments (from infamous pie-eating advice to the Wahine disaster), NZ heroes (Snell, Apiata), clips from classic film, TV and music videos (from Gloss to Once Were Warriors, Billy T to Boy), interviews with the people behind the productions, and screen taonga — from Tangata Whenua to Count Homogenized.
The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.
Irreverent 90s youth show Havoc launched the TV careers of hosts Mikey Havoc and Jeremy ‘Newsboy’ Wells (the pair worked together at radio station 95bFM). This first episode played on MTV (then run by TVNZ). Guests are Shortland Street actor Angela Bloomfield, Metro editor Bill Ralston and musician Darcy Clay. Amongst pop culture montages, videos and archive (future MP Lockwood Smith hosts kids’ knowledge test The W Three Show), Newsboy meets Hustler magazine centrefold Kimberly. The show is date-stamped by Spice Girls, drum’n’bass, Sodastream and Wells’ gelled hair.
One of NZ television's more notorious episodes, the 1987 Gofta Awards start promisingly with an extended montage of Auckland scenes (just before the share market crash) but it's downhill from there. Presenters Leeza (Entertainment This Week) Gibbons and Nic Nolan look bizarre in silver suits; an underfed and over excited audience grows more and more vocal; special guest John Inman (Mr Humphries from UK sitcom Are You Being Served?) is heckled; and things come badly unstuck as timing issues see winners turned away as they try to collect their awards.
Toyota launched its classic Welcome to Our World campaign in late 1989, to support the company's sponsorship of the upcoming Commonwealth Games and the Sesqui 1990 festival. This version was put together for the 1995 America’s Cup and Rugby World Cup. But there is minimum product placement in the heart-warming montage of Aotearoa landscapes and people, set to country singer John Grenell’s baritone take on the Jim Reeves song. The Geoff Dixon-directed campaign ran for a decade; the song topped the Kiwi charts when it was released in early 1990.
This 1978 National Film Unit documentary chronicles the daily lives of New Zealanders in various places: factory, beach, hospital, oil rig, country town, sheep farm, market garden, Auckland produce market, art gallery and primary school. Narration-free, the film features montages of stills by photographer Ans Westra. The impression is of New Zealand as a busy nation of makers and growers, alongside singing ‘Oma Rapiti’ at the bach and visiting the art gallery. Terry towelling, walk shorts, and denim shirts are date stamps. The script is by onetime Variety film reviewer Mike Nicolaidi.
The fall of the Iron Curtain was still several years away when Shona Laing wrote her first APRA Silver Scroll winner 'Soviet Snow'. The world had been "teasing at war like children" over decades of the arms race and Cold War brinksmanship and the threat of nuclear winter was very real. The video is a suitably chilly but dizzying montage that marries Russian iconography and Soviet imagery to the song's urgent synthesised beats. Laing later stripped 'Soviet Snow' of its synthpop trappings in an acoustic version on her 2007 album Pass the Whisper.