This April 2001 report comes from a function to farewell film salesman Lindsay Shelton. Over 22 years at the NZ Film Commission, Shelton played a key role in selling Kiwi films to overseas markets, including Goodbye Pork Pie, An Angel at My Table, and Once Were Warriors. Those on hand in Wellington to salute his efforts include Film Commission Chief Executive Ruth Harley – who praises Shelton’s "remarkable optimism about New Zealand films" – and directors Vincent Ward, Jane Campion, Peter Jackson (via video link), and John O'Shea, who calls Shelton the "backbone" of the NZFC.

Set in Central Otago in the drought-parched summer of 1975, gay-themed feature film 50 Ways of Saying Fabulous follows a chubby 12-year-old named Billy (Andrew Paterson) as he embarks on a challenging journey of sexual discovery. Adapting Graeme Aitken's novel, writer/director Stewart Main (Desperate Remedies) depicts a boy escaping into fantasy from the drudgery of farming duties — and learning about himself, his sexuality, and dealing with change. 50 Ways won a Special Jury Award at Italy's Turin International Gay and Lesbian Film Festival in 2005.

Nina (Aleksandra Vujcic) has emigrated downunder from wartime Croatia. When she falls in love with Māori cook Eddie (Julian Arahanga) and marries a Chinese man who is trying to stay in NZ, her domineering father Ivan is furious. The second movie from Gregor Nicholas remains one of the few from NZ in which Pākehā culture hardly features. The result was one of the highest-grossing NZ films of the 1990s. International reviews praised its power and strong cast — especially Croatian discovery Aleksandra Vujcic ("instantly alluring" said Janet Maslin). Vujcic won one of five NZ Film awards.

Christchurch property developer Dave Henderson experienced bankruptcy, accusations of fraud, and 25 plus tax audits. This Kafkaesque comedy is based on his best-selling book about a five-year battle with the tax department, over a $924,000 bill. Kiwi/Scot actor Erik Thomson returned from Australia to play Henderson, while a near-unrecognisable Michael Hurst cameos as MP Rodney Hide. Lumiere reviewer Simon Sweetman praised the “superb” casting, and Thomson’s playful performance. The film is adapted and directed by screen vet Jonothan Cullinane.

Following the big-screen success of Topp Twins documentary Untouchable Girls came another chronicle of a Kiwi entertainment legend: sometime Taranaki bandito, giggling newsreader and crooner Billy T James. The film uses remastered footage and an impressive cast of interviews to capture his path from cabaret singer to fame, fan clubs and eventual financial and bodily collapse. Te Movie director Ian Mune originally cast James in the classic Came a Hot Friday, as the Māori-Mexican Tainuia Kid; Te Movie co-producer Tom Parkinson played a hand in making Billy T a TV star.

Released in Kiwi cinemas in August 2009 — after winning praise at festivals in Berlin and Rotterdam — The Strength of Water marks the big-screen debut of Māori playwright Briar Grace-Smith, and Pākehā director Armagan Ballantyne. The film centres on a 10-year-old twin brother and sister in an isolated part of the Hokianga, and the events that follow when they encounter a young stranger. The Strength of Water merges a spare, naturalistic portrait of a Māori family struggling to stay above water, with moody images of earth and sea, loss and new beginnings.

Directed by Robert Sarkies (Scarfies, Out of the Blue), and written with brother Duncan (from the latter's novel) Two Little Boys is a tale of the misadventures of two Invercargill bogans. When a Scandinavian tourist fatally meets Nige's fender, Nige (Conchord Bret McKenzie) runs to best mate Deano (Aussie comedian Hamish Blake) for help. "Trouble is, Deano's not really the guy you should turn to in a crisis." Mateship is challenged by security guard flatmate Gav, a rogue sea lion and some dunderhead decision making. The black comedy opened in NZ on Sept 20 2012.

When Love Comes features Rena Owen as a once were famous singing star who returns to NZ, in need of reinvention. Staying with a close gay friend (Simon Prast), she is reenergised after meeting a wastral songwriter (Dean O'Gorman) and two loved up young musos (Sophia Hawthorne and Nancy Brunning, the former in her big screen debut). Invited to a slew of North American festivals — including Sundance and Toronto — Garth Maxwell's sun and song-lashed tale won stateside praise for its "energetic direction" (The Hollywood Reporter) and impassioned performances.

One of a select few Kiwi dramas about filmmaking, The Footstep Man centres on a man whose job is creating footsteps and sound effects for movies. Lonely, toiling under a demanding director, Sam (Brit Steven Grimes) gets trapped between real life and reel life. Cinematographer Leon Narbey’s second movie is a portrait of the strange pressure cooker of creating films, a luminous film within a film — with Jennifer Ward-Lealand as muse to painter Henri de Toulouse-Lautrec — and a reminder that for all the technology involved, moviemaking is about the human touch.

New Zealand's so-called 'cinema of unease' is stretched in new directions in this psychological drama, inspired by real-life interviews with criminals and victim's families. Writer/director Stuart McKenzie's feature debut follows Lisa (Michelle Langstone), a young woman haunted by the rape and murder of a former teenage acquaintance. Lisa's fascination leads her to the victim's parents - and to prison, to interview the charismatic killer (Tim Balme). The result is an intelligent examination of the after effects of violent crime. Shayne Carter provides the soundtrack.