A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.
This documentary about Māori writer Witi Ihimaera features him in conversation with filmmaker Merata Mita. Ihimaera traverses his life and writing career, emphasising the importance of family (particularly his mother and grandmother) and his overriding Māori identity. Aileen O'Sullivan's film features a star-studded assemblage of local literature — Keri Hulme, Albert Wendt, publisher Geoff Walker — and a dramatised excerpt from his novel Bulibasha ( featuring Rena Owen, Michael Hurst and Rawiri Paratene), shot roughly two decades before 2016 movie adaptation Mahana.
This documentary looks at the life and work of acclaimed author Patricia Grace. Filmed at home, on marae and in classrooms, Grace discusses her writing process, her Hongoeka Bay upbringing, her children’s books, criticism of her work, and her Māori identity and belonging to the land (a theme of her then-recently successful novel Potiki). In particular she affirms the importance of writing from experience. The film features interviews with publishers and friends, and excerpts from Grace's stories are read and dramatised, including At the River, The Hills and Mutuwhenua.
The night before his granddaughter's birthday, a man who likes having a flutter on the horses (Utu star Anzac Wallace) has a "dream". But which horse is he meant to bet on this time? Raniera gets help from his wife (Erihapeti Ngata) and the local community, to understand what the dream might mean. This edition of the pioneering Māori drama series marked Rawiri Paratene's debut as director. Patricia Grace based the screenplay on her story 'The Dream'; Temuera Morrison has a small role. Viewers can choose whether to watch the episode in Te Reo or in English.
Jason Pirihi was just nine-years-old when he joined the cast of TV series Sea Urchins, starring a trio of boys caught up in adventure on the water. After three series playing Hape, the most mischievous member of the trio, Pirihi won a co-starring role in chalk and cheese comedy An Age Apart, opposite then 68-year-old British import Deryck Guyler. Pirihi went on to act in Patricia Grace project Ruia Taitea.
Faifua Amiga won acclaim with Kingpin - his first film role - at the age of 14. Four years later, he took centre stage in the Samoan feature film Flying Fox in a Freedom Tree.
Actor, writer and director Rawiri Paratene, ONZM, first sprang into the public eye on the iconic Play School and comedy shows like Joe and Koro. In 1999 he played gangmember Mulla Rota in the sequel to Once Were Warriors, and four years later was seen around the globe as the stubborn grandfather in Whale Rider. In 2010 he won further acclaim after starring in movie The Insatiable Moon.
Anzac Wallace made one of the most memorable debuts in New Zealand cinema when he starred as avenging guerilla leader Te Wheke in classic Māori Western Utu. The former trade union delegate followed it with movies The Silent One (1984) and Mauri (1988) and pioneering Māori TV series E Tipu E Rea. He passed away on 8 April 2019.
Peter Read began his screen career in 1968 at the NZ Broadcasting Corporation, as a trainee editor in his hometown of Christchurch. He decided camera operators had more fun, so after an OE to London and a move to Wellington he became a camera operator. Read worked on a wide variety of shows from lifestyle (Country Calendar) to drama (Cuckoo Land) and commercials. Read passed away on 21 June 2018.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.