Our representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases the governors’ screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange), revolutions, nukes, and schnapps elections, to political punches (Jones), young leaders (Clark), and formative waterbed moments (Key).
This final edition of the 1992 celebration of New Zealand Rugby runs from grand slam success to the cusp of the professional era. But in-between, rugby and politics combusted. When the Springboks, representing apartheid South Africa, toured NZ in 1981, barbed wire, flour bombs and riot police were match fixtures. Kiwis were either for or against. The tour’s aftermath and public disillusionment with the sport found relief in 1987, when the All Blacks won the first Rugby World Cup; three undefeated years followed. Three NZRFU centennial tests close the series.
Dirty tricks, changing allegiances, a big public vote to see who stays ... it all sounds like a reality TV show. Alas it’s politics. Many of our representatives had practice for the soap opera of life in The House. See speculating John, smiling Lockwood, dancing Pita, charming Bob, geeky Charles,...
Arts Icon Geoff Murphy is the trumpet-player who got New Zealand yelling in the movie aisles. His road movie Goodbye Pork Pie was the blockbuster hit of the NZ film renaissance, and he completed an unsurpassed triple punch with Utu and Bruno Lawrence classic The Quiet Earth. From student heists to hobbits this collection pays tribute to the laconic wild man of Kiwi film.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
Every now and then here at NZ On Screen, we like to stick our necks out and choose a Top 10. And our collective opinion is that these are the funniest New Zealand television series to date: from bro' Town to Billy T, from Gliding On to the tag team hijinks of 7 Days. Plus 10 runners-up that we couldn't agree on. Read on to find out more.
This short film, made by Alister Barry and Rod Prosser, draws together real and satirically imagined elements of the mid-70s anti-nuclear debate as preparations are made for the USS Truxtun’s visit to Wellington. The new National government has reversed Norman Kirk's nuclear-free policies and the whiff of duplicity hangs heavy in the air as politicians, unionists and protestors jibe for position on land and at sea. Made with assistance of unions and members of the screen industry, the film features embedded footage shot from the Truxtun’s ‘unwelcoming’ flotilla.
It's election time in this special episode from the topical weekly satire series about a PR firm (written by James Griffin, Dave Armstrong, Tom Scott and Roger Hall). Giles Peterson and Associates will take on any client - even if it means trying to update Helen Clark's wardrobe, speechwriting for Winston Peters, offering succour to fading National and Alliance MPs, brokering a coalition deal between the Greens and Labour, or helping candidates master the intricacies of The Worm. Meanwhile, elements of the Catholic Church feel they haven't apologised enough.
New Zealand politics was a gentler art in the pre-Muldoon early 70s when superstar English TV interviewer David Frost made the first of two series down under. Here, he talks to Prime Minister Norman Kirk, and opposition leader Jack Marshall. Kirk is assured and statesmanlike (an act that proves hard for Marshall — or NZ politics since — to follow) as he discusses topics ranging from supporting beneficiaries, to opposing French nuclear testing. ‘Big Norm’ purposefully talks about being in the job for another 25 years. Tragically, he died in office 13 months later.
Moa-nominated for Best Documentary, this full-length title chronicles two decades of political football between New Zealanders hoping to reduce greenhouse gas emissions, and followers of the business as usual approach. Co-directing with his longtime editor Abi King-Jones, Alister Barry (The Hollow Men) continues his patented approach of melding new interviews with raids on the news archives. Critic Graeme Tuckett argued that the film makes “a compelling case that although the science was settled by 1990, we’ve allowed politics and corporations to mute our response to a very real crisis”.