After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
NZ On Screen has selected this collection of 30 Kiwi love songs, which spans 50 years of music. The list ranges widely — from an early Loxene Golden Disc winner for Ray Columbus and the Invaders, to Dragon in the 70s, and in the 80s, everyone from Blam Blam Blam to Prince Tui Teka. Entries from later decades include Tiki Taane and Unknown Mortal Orchestra. That's not even the half of it: along the way, check out a trio of classics whose take on romance is positively oceanic: 'Anchor Me', 'Sway' and 'Not Given Lightly'.
Daphne and Chloe offers a love triangle with a twist: here the couple under threat are two woman friends (despite rumours their relationship is romantic) who work at an advertising agency. Their friendship, based partly on warding off loneliness, is threatened when the cool, cultured Edith (Helena Ross), starts dating the new office boy (Michael Hurst) — a man 18 years her junior. The typing pool are abuzz. Daphne and Chloe was one of a trio of tele-plays that resulted after TVNZ gave legendary playwright Bruce Mason the chance to choose his themes.
In this short off-beat romance, Penelope (Anna Kennedy), a temp and unpublished romance novelist, discovers that in order to find love, she has to find herself. Combining fact and fantasy Penelope goes on a quirky quest to write her own love story: from dating, to group therapy, to a 'man rack' that memorably visualises Penelope's tendencies towards the fictional. Veterans Ginette McDonald (Penelope's agent) and Jed Brophy (a short date) are included amongst the supporting cast. Darryn Exists won an honourable mention at Nashville Film Festival.
Taika (Boy) Waititi's first feature is an offbeat comedy about two lonely misfits and their attempts to find love. Lily (Loren Taylor) is a shy fast-food cashier with a crush on clueless gaming geek Jarrod (Conchord Jemaine Clement). When Lily crashes Jarrod's fancy dress party wearing a shark costume and impresses the self-styled ‘Eagle Lord' with her gaming prowess — excerpted here — she gets her man. But their budding romance is sorely tested by Jarrod's obsession with a childhood nemesis. Empire called the film, "a comic delight destined for cult adoration."
Emily Chu (award-winner Michelle Ang) is a young ‘banana’ (yellow on the outside, white on the inside) hoping to conceal a cross-cultural romance from her prudish Chinese parents in this romantic dramedy. Director Roseanne Liang’s feature debut draws on her autobiographical ‘video diary’ Banana in a Nutshell, which screened at the 2005 NZ International Film Festival. In the audience was producer John Barnett, who immediately offered to fund an adaptation. On its March 2010 release My Wedding gained several five star reviews, and strong box office.
In the third episode of this drama based on the 1888-89 tour of Great Britain by the NZ Natives rugby team, the romance between Pony and Charlotte is gathering momentum. Charlotte’s grandfather — the Earl — might be alarmed by the tryst, but the Cambridge University rugby team has a far blunter way of expressing their displeasure with a Māori rugby player trying to cross class and racial lines. In the face of such opposition, Charlotte and Pony attempt to follow their hearts, but can they resist the pressures now being exerted by both of their cultures?
Broken Barrier marked the first New Zealand dramatic feature to be made since 1940. Its production saw directors John O'Shea and Roger Mirams crowding into a Vauxhall with two silent cameras, one picked up "from a dead German in the Western Desert". Ditching dialogue for 'spoken thoughts', the pioneering film examines cultural complications in a romance between a Pākehā journalist (Terence Bayler) and a Māori nurse (Kay Ngarimu, aka Keita Whakato Walker). According to O'Shea, some viewers considered it "a dirty movie" for spurring mixed race relationships.
Satire Futile Attraction follows a dysfunctional reality television crew as they make a show about dating. The unfortunate 'couple' being manipulated for the cameras are a phone-obsessed nerd, and a woman consumed with being ecologically sound. In real life, director Mark Prebble became the first New Zealander to get funding for his movie via an online crowdfunding campaign (as detailed in the making of video). Alongside lead actors Danielle Mason (Black Sheep) and Peter Rutherford (Event 16), the late Alistair Browning shines as a smarmy television host.
The Insatiable Moon is the tale of a man with nothing but wisdom, joy and possibly a direct line to God. Arthur (Rawiri Paratene) wanders the streets of Ponsonby, where he finds perfection (Sara Wiseman) just as his community of boarding house friends faces threat. Producer Mike Riddell first wrote The Insatiable Moon as a 1997 novel, inspired by people he met while he was a clergyman in Ponsonby. The film’s extended development almost saw it made in England with Timothy Spall - before finally coming home, “on half a shoestring and a heap of passion”.