This 1949 NFU film visits Western Samoa. Director Stanhope Andrews surveys life in the “lotus land of the Pacific”, showing taro and coconut harvest, cooking in umu, and church and fale building, as “the flower-decked girls sing and dance beneath the palms”. The benefits of New Zealand’s then-administration are shown (eg. medical services, education) but the travelogue ignores earlier ignominious acts, such as the quarantine blunder that saw one in five Samoans fall to influenza. The Olemani Aufaipese (choir) provides the score. Samoa won independence in 1962.
This 1982 Lookout documentary charts Samoan novelist and poet Albert Wendt’s personal view of Samoans in Auckland. Set mainly in what was then predominantly Samoan Grey Lynn, Wendt looks at how New Zealand-born Samoans maintain the traditions of their homeland. He also examines the close ties between those in New Zealand and the wider ainga, or extended family, back home. The church’s role in the community is highlighted, along with sports. Wendt also addresses what he sees as the double edged sword of remittance: sending money back to islands.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
This episode of Immigrant Nation features former Holidaymakers guitarist Pati 'Albert' Umaga, part of the first generation of New Zealand-born Samoans. Umaga's parents arrived in Wellington in 1950 as part of Samoa's Great Migration. Encouraged to speak Samoan at home, and English outside the house, Umaga drifted away from his family and culture, before finally coming to the realisation that Fa-a Samoan - The Samoan Way - has much to offer him in how he operates in Kiwi society. Umaga goes on to use his music as a way to reach Samoan youth.
This 2014 web series follows a South Auckland family chasing a talent quest title. In this 10th episode (out of 20) the Saumalu family debates Moana’s shock announcement that she is getting engaged to Indian-Kiwi Dev. The head-girl and student DJ are a South Auckland Romeo and Juliet. Dad Kavana wants to send Moana home for some ‘Fa’a Samoa’ (‘Samoan way’) education. Meanwhile Moana finds out that Dev is already engaged, and decides to move things to the next level. The series was based on the hit stage show that debuted at the 2013 Auckland Arts Festival.
Actor Robbie Magasiva and discus champ Beatrice Faumuina oversee this hour-long Tagata Pasifika 20th birthday celebration. Presenters past and present survey changes in the Aotearoa PI community over the show’s run: from education, arts and culture (Ardijah, OMC, Michel Tuffery’s corned beef bulls and the Naked Samoans), to political pioneers (Mark Gosche, Winnie Laban), and sports heroes (All Black icons Jones, Lomu and Umaga). Among those talking about the show’s importance to NZ Pasifika culture are Helen Clark, Annie Crummer and many others.
Tusi Tamasese’s first feature tells the story of a taro farmer (real life farmer Fa’afiaula Sagote) who finds the courage to stand tall for his family and culture, and stand up to sceptical villagers. Variety called it “compelling drama”. Though previous films (eg. Flying Fox on a Freedom Tree) have told stories inspired by Samoan writers, The Orator is the first feature written and directed by a Samoan, and the first filmed in Samoan. In its debut at the prestigious Venice Film Festival it won a special jury mention in the Orizzonti (New Horizons) section.
Overhearing his crush say she only likes “real island guys” is all it takes to get Adam (Neil Amituanai, in his big screen debut) packing his bags for Samoa, in this comedy by Stallone Vaiaoga-Ioasa (TV's Fresh). Shot largely in Samoa over two weeks, the self-funded film co-stars Samoan locals Vito Vito and Fesuiai Viliamu as Adam’s cousins, teaching him the basics of island life. Three Wise Cousins reached number eight at the NZ box office in its opening weekend, and continues to win solid audiences, despite minimal publicity. Stuff critic James Croot called it "colourful and charming".
Artist Sam Hamilton describes his experimental feature as an “independent inquiry” into 10 celestial bodies found in The Milky Way. The Arts Foundation New Generation award-winner splices together images ranging from psychedelia to performance art to physics — shot on 16mm film across NZ and Samoa. The film's centrepiece is a sequence of dancer Ioane Papali’i with his limbs tethered to a tree. Newshub's Matthew Hutching praised Apple Pie's debut screening at the 2016 NZ Film Festival: “an absorbing, playful rumination on scientific patterns across our galaxy.”
Tattooing — "The world's oldest skin game" — is the subject of this documentary made by Geoff Steven who scored a major coup when he obtained the services of Peter Fonda as his presenter. Shot in NZ, Samoa, Japan and the United States, it traces the history of tattooing from Ancient Egypt through its tribal importance in the Pacific, to a counter culture renaissance that began in the 1960s. Leading practitioners (including superstar Ed Hardy) are interviewed and observed at work, while their clients wince their way towards becoming living canvasses.