In this 1985 Colenso commercial, a Creme Egg is a guilty pleasure behind raised desk lids for two school kids. Courtesy of some smooth copywriting, the narrator lets on that the cherubic girl and devious boy are doomed by the “smooth shell of Cadbury dairy milk chocolate and the irresistible creamy flowing yolk that will ultimately give them away!” The Murray Grindlay composed chorus “don’t get caught" (with egg on your face) entered Kiwi pop culture. Variations of the commercial ran until 1996; in 2016 stuntwoman Zoe Bell later shared her fondness for the product on Instagram.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
Poet, activist and soon-to-be Mayor of Waitemata, Tim Shadbolt explores the often-maligned art of graffiti in this 1981 special for documentary slot Contact. Shadbolt searches for wit and inspiraton from school desks and court holding cells, to the bathrooms of trendy restaurants. Some of these scribbled sentiments — like “Rob Muldoon before he robs you” — have passed into legend. The best material however, comes from a group of high school girls, encouraged by their right-on English teacher during a class of well-supervised rebellion: “castrate rapists — have a ball!”
Gary Scott began his television career as an assignment editor on TV3's news desk, before joining Ninox Films as a writer and researcher. He directed documentaries then joined Wellington company Gibson Group in 2001, where he has produced or executive produced a slew of factual programmes and series, including Kiwis at War, Here to Stay and NZ Detectives.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.
Philly de Lacey heads company Screentime New Zealand. De Lacey began in television in 1999. By 2003 she was producing the company’s newly-launched show Police Ten 7; three years later she became managing director at Screentime NZ. The company’s staple of shows ranges across drama (Underbelly: Land of the Long Green Cloud, Siege), and various long-running actuality series (Beyond the Darklands, Marae DIY).
Tim Prebble is an alchemist of sound, adept at combining audio from many sources to evoke mood and emotion. His work has enhanced everything from feature films to television drama series, shorts, and documentaries. The common thread in his output is a deep sensitivity to theme and story.
Former Fair Go presenter Kevin Milne ranks as one of New Zealand television's longest-serving reporters. After joining the Fair Go team in 1984, he presented or co-presented the show from 1993 until 2010. Milne has also appeared on TVNZ lifestyle shows Production Line, Then Again, Holiday and Kev Can Do.
Composer Marc Chesterman has brought his experience of playing drums in bands and sound designing for the theatre, to the screen. Chesterman has worked on a run of films with director Florian Habicht, including composing the soundtrack for Woodenhead and Spookers. He has composed music for Zia Mandviwalla short Eating Sausage, and was sound designer for Rita Angus documentary Lovely Rita.
Laurie Clarke began his career in 1983, as an editor for Australia’s ABC. Back home for the birth of TV3, he later spent nine years directing and producing for news show 20/20. Clarke is currently a company director at Top Shelf Productions; his list of credits includes Target, What's Really in Our Food, Making New Zealand, Heritage Rescue, and long-running media commentary show Media Take.